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Why Saudi Arabia Is Set To Execute 23 Nigerians (Full List) GBAMLOG.COM

Saudi Arabia

The Saudi Arabia Government has announced that 23 Nigerians are on death roll over drug-related offences.

The Saudi Government made this known in a statement on Saturday.

Naija News understands that the suspects were arrested between 2016 and 2017 at King Abdul-Aziz International Airport, Jeddah, and Prince Muhammad Bin Abdu-Aziz International Airport, Madinah.

The suspects were said to have concealed the narcotic substance in their rectum.

The offence which is punishable by death contravenes Saudi Arabia’s narcotic and psychotropic substances rules.

The latest case is coming a few weeks after Saudi authorities executed Kudirat Afolabi for drug trafficking and Saheed Sobade, another Nigerian, reportedly nabbed with 1,183 grams of cocaine in Jeddah.

See their names below:

Adeniyi Adebayo Zikri

Tunde Ibrahim

Jimoh Idhola Lawal

Lolo Babatunde

Sulaiman Tunde

Idris Adewuumi Adepoju

Abdul Raimi Awela Ajibola

Yusuf Makeen Ajiboye

Adam Idris Abubakar

Saka Zakaria

Biola Lawal

Isa Abubakar Adam

Ibrahim Chiroma

Hafis Amosu

Aliu Muhammad

Funmilayo Omoyemi Bishi

Mistura Yekini

Amina Ajoke Alobi

Kuburat Ibrahim

Alaja Olufunke Alalaoe Abdulqadir

Fawsat Balagun Alabi

Aisha Muhammad Amira

Adebayo Zakariya.

Source: naijanews.com

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Why Saudi Arabia Is Set To Execute 23 Nigerians (Full List) GBAMLOG.COM

Saudi Arabia

The Saudi Arabia Government has announced that 23 Nigerians are on death roll over drug-related offences.

The Saudi Government made this known in a statement on Saturday.

Naija News understands that the suspects were arrested between 2016 and 2017 at King Abdul-Aziz International Airport, Jeddah, and Prince Muhammad Bin Abdu-Aziz International Airport, Madinah.

The suspects were said to have concealed the narcotic substance in their rectum.

The offence which is punishable by death contravenes Saudi Arabia’s narcotic and psychotropic substances rules.

The latest case is coming a few weeks after Saudi authorities executed Kudirat Afolabi for drug trafficking and Saheed Sobade, another Nigerian, reportedly nabbed with 1,183 grams of cocaine in Jeddah.

See their names below:

Adeniyi Adebayo Zikri

Tunde Ibrahim

Jimoh Idhola Lawal

Lolo Babatunde

Sulaiman Tunde

Idris Adewuumi Adepoju

Abdul Raimi Awela Ajibola

Yusuf Makeen Ajiboye

Adam Idris Abubakar

Saka Zakaria

Biola Lawal

Isa Abubakar Adam

Ibrahim Chiroma

Hafis Amosu

Aliu Muhammad

Funmilayo Omoyemi Bishi

Mistura Yekini

Amina Ajoke Alobi

Kuburat Ibrahim

Alaja Olufunke Alalaoe Abdulqadir

Fawsat Balagun Alabi

Aisha Muhammad Amira

Adebayo Zakariya.

Source: naijanews.com

Why Saudi Arabia Is Set To Execute 23 Nigerians (Full List) GBAMLOG.COM

Saudi Arabia

The Saudi Arabia Government has announced that 23 Nigerians are on death roll over drug-related offences.

The Saudi Government made this known in a statement on Saturday.

Naija News understands that the suspects were arrested between 2016 and 2017 at King Abdul-Aziz International Airport, Jeddah, and Prince Muhammad Bin Abdu-Aziz International Airport, Madinah.

The suspects were said to have concealed the narcotic substance in their rectum.

The offence which is punishable by death contravenes Saudi Arabia’s narcotic and psychotropic substances rules.

The latest case is coming a few weeks after Saudi authorities executed Kudirat Afolabi for drug trafficking and Saheed Sobade, another Nigerian, reportedly nabbed with 1,183 grams of cocaine in Jeddah.

See their names below:

Adeniyi Adebayo Zikri

Tunde Ibrahim

Jimoh Idhola Lawal

Lolo Babatunde

Sulaiman Tunde

Idris Adewuumi Adepoju

Abdul Raimi Awela Ajibola

Yusuf Makeen Ajiboye

Adam Idris Abubakar

Saka Zakaria

Biola Lawal

Isa Abubakar Adam

Ibrahim Chiroma

Hafis Amosu

Aliu Muhammad

Funmilayo Omoyemi Bishi

Mistura Yekini

Amina Ajoke Alobi

Kuburat Ibrahim

Alaja Olufunke Alalaoe Abdulqadir

Fawsat Balagun Alabi

Aisha Muhammad Amira

Adebayo Zakariya.

Source: naijanews.com

Everywhere Konji!!! 85-Year-Old Woman Caught In A Group SXX With 5 Men. GBAMLOG.COM

85-Year-Old Woman Caught In A Group SXX With 5 Men

An 85-yr-old woman has been arrested after she was caught having group sxx in woodland in Connecticut, the United States in the penultimate week.

On Aug 9, concerned citizens called the police to report a public hook-up happening in the wooded area. The octogenarian was spotted with 5 elderly men including her husband having an orgy.

Image result for 85-Year-Old Woman Caught Having Sex With Five Men, Including Her Husband

All six were apprehended and charged with breach of peace.

The senior citizens are identified as Joyce Butler, 85 – the only woman participating in the orgy – her husband Richard Butler, 82; Daniel Dobbins, 67; Otto D. Williams, 62; Charles L. Ardito, 75; and John Linartz, 62.

Image result for 85 year old woman

According to the Fairfield Police Department, the senior citizens were busted while getting hot and heavy at the Grace Richardson

The Scene of the group sex; and four of the culprits.

Conservation Area during a surveillance operation on public hook-ups in the area. Two of the suspects, Daniel Dobbins and John Linartz have additionally been charged with public indecency.

Dobbins was previously charged with second-degree breach of peace by Connecticut police after witnesses said they spotted him walking around a park naked before police found him inside his car “with his shirt and shorts draped over him and no underclothes.”

The culprits have been released and will appear in court at a later date.

Leave your comments below…

Source: dailyadvent

Analysis on Matiiku by Chiedozie Ude. GBAMLOG.COM

Ude, Chiedozie Orji.
Department of English, UNILAG

Analysis on Matiiku

It is no news that trying to analyse a live performance is a tricky job. This trickiness may be as a result of different factors such as place and time— or more impressive, the complex nature of literature. Notwithstanding this difficulty, this paper will make an attempt to critically analyse the stage play entitled Matiiku. This essay will succinctly summarise the play and its subject matter, making use of factors such as the stage management and the gestures (which some may refer to as body language) of the actors to defend the choice of subject matter. The attention that will be paid to the factors stated above stems from the technical nature of the dialogue — that is, it was, to a very large extent, exclusively performed in the Yoruba language. However, the focus on the gestures and stage management does not in any way downplay the usefulness of the dialogue in this analysis because its importance in making the play fit its setting, and also, its subject matter cannot be overlooked. Also, it is important to note that this essay will include foreign references — that is, events or even books outside the narrative — which will be used support the arguments expressed in this paper. All these will be combined to comprehensively analyse this play.

This segment of the essay will comment on the playwright and the setting of the play. Not much is known about the playwright; hence, we move on to the setting of the play. The play is set during the colonial era, and this is reinforced through the manner in which the stage was set, and the numerous festivities which took place — the market scene; the baby/ritual scene; and the court dispute between the colonial district officer and the people. The latter is unarguably the strongest supporter of the claim that the play is set during the colonial era because it not only captures the communication problems that plagued the colonial masters due to their inability to grasp the local languages employed by their subjects, but also captures the presence of the white man (The district officer); hence, justifying the time setting— that is, the colonial period. The place setting of the play is Lagos. The introduction of three characters at the beginning of the play who represent the three white-cap chiefs of Lagos is testament to this fact. They, unequivocally, strengthen the play’s genre — that is, a historical play.

The subject matter of the play revolves around a man, who was predestined to be king, right from birth. This information was exposed by the narrator, before the start of the play. Hence, one can say that the plot of the play is based on the child, whom the oracle chooses as king. As expected, he becomes the king of Lagos once he attains adulthood; although, the colonial government later wrestled power from him. It is important to state that the fulfillment of the prophecy on the life of the king is a common motif in Yoruba themed plays— that is, the oracle can never be wrong— such as Ola Rotimi’s The Gods are Not to Blame, where the pronouncements of the oracle on the main character comes to pass. Therefore, one can be justified to state that there is a theme of fate (inevitable destiny) in the play. Another thing that is worthwhile to discuss is how the scenes in the play are linked by an interlude of music and dance. These performances (music and dance) may be regarded as entertaining because of the choreographic dance steps employed by the dancers. Being a traditional play, these songs should have deeper meanings, but that is not the focus of this essay. So, this analysis will rate the musical interlude from the standpoint of pleasure and entertainment.

One may describe the stage management as almost impeccable due to the perfect way the stage was set to represent the setting, and also, their flawless deployment of the lighting technique. To me, it is this lighting technique that makes the play stand out. The lights came up when and where necessary, not a second too early or late. Unarguably, the lighting technique was most effective when it was employed to show time — that is, day and night. This topnotch use of this technique is also brought to the fore when the lights were dimmed during the ritual scene. The solemnity and sacredness of the rituals were well captured by the eerily spooky umbrella of semi-darkness. This was enough to make the watcher understand the importance of these rituals. Another important thing I noticed due to the arrangement of the stage is the market scene. The market scene is crucial in traditional plays. The market is known as a place where rumours and stories thrive. Little wonder the birth of the would be king is announced in the market setting. The market scene is also ideal for announcement of the king’s birth because it reinforces Soyinka’s principle in Death and the King’s Horseman of the market place being a strategic location for the meeting of the three realities in Yoruba mythology — that is, the world of the unborn; the world of the living; and the world of the dead. It is important to note that the market place also serves as a link between these realities. Hence, this well believed myth strengthens the writer’s use of the market scene to announce a transition — that is, from the world of the unborn to the world of the living. The stage management was described as almost impeccable at the beginning of the paragraph because it had slight flaws. One of such flaws is the bad sound systems used in the play. Aside this, one can be justified to give the stage management crew an excellent score for a job well done.

Also, the gestures of the actors also enable non speakers of the Yoruba language to have an insight on some of the happenings in the play. The slow pace, with which those who are to make prophecies on the child move, gives insight to the audience that these men must be truly special and of high importance in the society. The greatness which is proclaimed on the baby is evident when the priests and other spectators bow to the child. However, the child’s mother refuses to bow to her child; hence, bringing into play the African belief that expects a child to prostrate himself to his parents, and not the other way round.

In conclusion, if I were asked to give my personal opinion on the play, I would rate it as a largely successful performance. The topnotch techniques employed by the stage management crew played a huge role in this. As a member of the audience who could not fully grasp the dialogues, I was entertained by the dance interlude. Hence, I can boldly describe the play as a successful one. In conclusion, this essay has made an attempt to analyse the production of the play Matiiku.

Works cited:
Ola Rotimi’s The Gods are Not to Blame.
Wole Soyinka’s Death and the King’s Horseman.

Man Arrested For Sleeping With Mad Woman In Lagos (Photo). GBAMLOG.COM

The man arrested for sleeping with a mad womanThe Police in Lagos have arrested a 30-year man, who reportedly specialised in engaging and impregnating mad ladies on the streets, after he allegedly took a pregnant mad woman into an uncompleted building to have s-x.The suspect, Laminu Alli, was apprehended by the Lagos residents after he was reportedly caught inside the uncompleted building, where he went to have s-x with victim simply identified as Christiana.The incident happened at Isheri Olofin along Igando-LASU Expressway to Iyana Iba area of Lagos.PM Express gathered that it was not the first the suspect, Alli, had reportedly been caught with mad women inside uncompleted building but the residents decided to confirm their suspicion over a period of time.Alli was said to have taken the mad victim, Christiana, into the building and pulled his trouser in order to penetrate her before he was caught and accused of armed robbery.However, he denied being an armed robber but only took the victim into the building in order to have sex with her despite the fact that the victim was pregnant and not mentally balanced.He was handed over to the Police at Idimu Division. After interrogation, the Police found him culpable and later arraigned him before the Ejigbo Magistrates Court for attempting to rape a mad woman by force with the knife found on him.He pleaded not guilty.The prosecutor, Supol Kenneth Asibor, asked the Court to give a date for hearing since he pleaded not guilty to enable the Police to prove the matter.Thus, the Presiding Magistrate, Mr. T.O Shomade, granted him bail in the sum of N100,000 with two sureties in like sum.He was remanded in prison custody pending when he will perfect his bail. The matter was adjourned till 12th August, 2019.

Source: tori.ng

The man arrested for sleeping with a mad womanThe Police in Lagos have arrested a 30-year man, who reportedly specialised in engaging and impregnating mad ladies on the streets, after he allegedly took a pregnant mad woman into an uncompleted building to have s-x.The suspect, Laminu Alli, was apprehended by the Lagos residents after he was reportedly caught inside the uncompleted building, where he went to have s-x with victim simply identified as Christiana.The incident happened at Isheri Olofin along Igando-LASU Expressway to Iyana Iba area of Lagos.PM Express gathered that it was not the first the suspect, Alli, had reportedly been caught with mad women inside uncompleted building but the residents decided to confirm their suspicion over a period of time.Alli was said to have taken the mad victim, Christiana, into the building and pulled his trouser in order to penetrate her before he was caught and accused of armed robbery.However, he denied being an armed robber but only took the victim into the building in order to have sex with her despite the fact that the victim was pregnant and not mentally balanced.He was handed over to the Police at Idimu Division. After interrogation, the Police found him culpable and later arraigned him before the Ejigbo Magistrates Court for attempting to rape a mad woman by force with the knife found on him.He pleaded not guilty.The prosecutor, Supol Kenneth Asibor, asked the Court to give a date for hearing since he pleaded not guilty to enable the Police to prove the matter.Thus, the Presiding Magistrate, Mr. T.O Shomade, granted him bail in the sum of N100,000 with two sureties in like sum.He was remanded in prison custody pending when he will perfect his bail. The matter was adjourned till 12th August, 2019.

Source: tori.ng

REALITY CLASSIC TALE: LOVE? OR SLAVERY? By Hilary Chikuvira | GBAMLOG.COM


“If you are not going to be a girlfriend and wife, who is submissive, who follows the lead of a husband, then we got to deal with this now, because no wife of mine will rule my house, give me orders or go to a separate church from mine!”, said Tendai fuming, his voice was shaking from anger, l could see he was totally charged up and no longer caring to select his choice of words.
I was also fed up myself, and l retorted angrily, “fine, if you want me to be that kind of a wife and fiancée, then to hell with it, what are we even doing now? Let’s not waste each other’s time anymore. Have a great life”. I slammed his car door nice and hard as l climbed out and walked away into the dark.
So how did things get so messy?
Tendai and I had fallen in love with each other a year ago, he was all l ever wanted in a guy, ‘at first’ and l was his dream girlfriend too. Both of us at the age of 28 just thought this definitely was it. The search for true love was over.
With time there emerged those nitty-gritty human imperfections. Tendai is traditional, old school and reserved on the other hand l am less cultural and a newly emerging activist for feminism and gender equality. He is the type that prefers to not touch alcohol, deems it unclean for his soul, he prefers the traditional kind of music, and he loves spending his days chilled, watching movies or visiting family and friends. It made me look like l was the wild one, so eager to try anything and everything, ready to live, never content with sleeping before 11 pm on a weekend, and definitely never one to repeat the same activities over and over again.
So as expected in such cases, we started getting into each other’s nerves. He began to think l was too independent, l had no respect for tradition and that l could just not make a good wife for him, but this was never said out aloud. I began to find him quite boring, and just not fun to hang with. But none of us could audibly say it out. We had just come a long way to quit because of what we thought to be a few indifferences.
In my culture, men pay lobola to show respect to the bride’s family and say thank you for raising your daughter well. The culture sort of sells women under the guise of culture. Lobola can be 15 cows including other cultural things that a guy must pay up, not to mention that after the lobola the guy must sponsor the white wedding ceremony as well. The bride’s family demands the amount of lobola they want, and the amount can even add up to 15000 us dollars, which is a 2-year saving for a typical middle-class guy who has decided to forgo buying a house, a car, and a decent living style. Lately, families have become overly greedy and are demanding alarming lobola prices. The fathers of the bride use the lobola to buy things like a fancy car or spend the money getting drunk. And in turn the bride has to leave her family, her religion, her lifestyle, her surname and almost everything else important is foregone by the lady as she follows her husband. It becomes the duty of the wife to clean, cook, take care of the husband and kids, as well as to get formerly employed somewhere and contribute to the new family income. If lobola was truly a cultural way of appreciating a partner l do not see why both partners cannot give lobola to the spouse’s family, or why a guy cannot give out what he has, but instead must toil for years to get to afford a wife.
And as you can imagine, l being a feminist, who realizes there is something seriously wrong with this culture from as early as 11 was totally ready to rebel. And certainly not prepared to be sold off, so l tried reasoning with the love of my life.
We were sitting in Tendai’s car, he was preparing to drive me home, after we had spent the day in the park, doing what we usually do, ‘Chilling’ in the relaxed way he likes. And poor I got bored; there was nothing new to say, no interesting conversation about the latest movie, or the hit song on the market. Just family talk about how we would chill like this, during the weekends once we were married.
Sol blurted out, “Tendi, love brought us together, l love you dearly, but there are a few things we should change love. For starts l would love to keep going to my church, l like it there, and l would love for you to take care of your siblings, but the family culture of a newly wedded couple living under the same roof with family relatives just takes the vibe off honeymoon phase, we can always share, but l prefer staying with you only and my kids, unless we really have to take in someone in need. Can we do that?
Tendai’s eyes grew big, as if they were gonna pop out of their sockets, all he could mutter was “whaaaaat?” Since l had kept this buried for so long in my heart, l thought, ah why not just let it all out, after all, he is my boyfriend, he is bound to see things more from my perspective if l explain well.
“Yes Tendai, l think women’s positions in the house are a bit unfair too, for instance a man gets to come back from work, sits at home, and watches tv whilst the lady who has also come back from a long day at work, breaks her back to cook, wash and do dishes as well as take care of the kids. It sounds more like slavery rather than marriage. I hope when we are married we can share tasks according to everyone’s capabilities, it would make married life easier for me love”.
Tendai looked at me long and hard, with clear bewilderment in his eyes. “Love a woman should be a woman, know your place, and know that it will always be behind me, your boyfriend and future husband, l will be the head of the family, l will make the final decisions, you will be my wife, what is the purpose of a wife? Is it not taking care of the husband? Talk to your mother, talk to your church elders, talk to anyone and they will tell you the same! The husband leads, the wife follows. Equal rights are there, but just not on this!” He ended, fuming with fury.
I guess in his mind he was thinking, oh this gal, what nonsense is this, women are women, and they should remain women. That was the moment when l finally opened up my eyes to the truth l had refused to see all the time; nothing was going to change in this relationship. Not me and certainly not Tendai. It was my purpose to actively campaign for women’s rights. So l took my leave from the car that had become stuffy and tension-filled from the heated argument.
This is the issue that has brought about the end of our so-called love to where we are right now, bitterness, regrets, anger, and anger.
We both think we are right; we both want the other to see how they are the ones who are wrong. And above all, no one wants to compromise.
I take a taxi, and head home, with deep sorrow inside of me, hoping someday, the society will see life in the eyes of a woman because for now, life is just far from being fair where men and women are concerned. I don’t blame Tendai though; he was born in this world, where culture and tradition plays a major role in people’s lives, even if the culture clearly weakens another party and gives the other all the power. It’s the way it is, and everyone has a choice, to do away with the bad culture, or keep it alive and running for the next generation to copy.
But l know my stand on point.