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Pragmatic Analysis of Chibok Girls. GBAMLOG.COM

Literature is so significant that it can perform a lot of functions. One of such functions definitely has to be the affective function. Literature can be affective when it aims to produce certain effects on the reader. Having established this fact, it is ideal to state that this essay aims to display the affective power of literature by conducting a pragmatic analysis of the text Chibok Girls.

The text in question has its characters and setting drawn from real life; hence, it can be described as a realistic one. It contains the investigations carried out by Helon Habila in the North-Eastern part of Nigeria. The investigation revolves around the history and causes of insecurity in Nigeria. Because of the presence of the writer at strategic places that have been affected by violence instigated by the dreaded sect, Boko Haram, this text can be described as one which contains first-hand information on the prevalent issues plaguing the country.

The title of the text is significant because it captures the most notable and internationally-recognised crime perpetuated by Boko Haram — that is, the abduction of 276 school girls on the 24th April, 2014, by Boko Haram. This title, however, does not constitute the focal point of this report, rather it serves as an instance which illustrates the ruthlessness of the Boko Haram sect.

Insecurity, as highlighted in the text, is as a result of activities such as terrorism, bad governance, corruption, religious-instigated violence etc. All these issues no doubt are bound to have certain didactic or other forms of effects on the reader. Some of these effects include: pity, fear, anger, apathy, and the didactic lesson of early prevention.

Pity is one of the major effects this text has on the reader. This is plausible because ruthless and despicable acts of Boko Haram on harmless civilians will without doubt draw out the pity of the audience. A good example is how the mother of Riskatu, one of the abducted girls, is made to narrate the painful events of the day her daughter was kidnapped. This instance, surely, is significant because it captures the pain and suffering which the parents and the relations of the abducted girls are going through because of their ignorance on the status of their daughters — that is, are they alive or are they dead? Another object of the reader’s pity has to be the abducted girls who will now serve as wives and concubines of terrorists instead of being with their families and completing their education. Unarguably, the pragmatic effect of pity is brought to the fore through the theme of terrorism.

Another pragmatic effect the text will likely have on the audience is that of fear. Human beings are creatures who fear a lot of things, ranging from known and unknown dangers. In the case of this text, the reader’s fear is justified because of several reasons. One of these reasons has to be the reader’s in-depth knowledge of the activities of this sect, and another reason for the reader’s fear, obviously, is the fact that the reader is a Nigerian; hence, he is not completely safe from the violence caused by the nonchalance of the government towards small and large-scale criminal activities and, of course, violence instigated by religious extremism as seen in the way Yusuf, the elder brother of Shekau, was able to spur his followers to commit several atrocities, and also, through the Maitatsine Uprising, as described by Helon Habila in the text. Hence, one can be certain to say that the themes of violence, terrorism, religious extremism etc., are sure to instigate the feeling of great fear in the reader.

When talking about the pragmatic effect this text has on the reader, one is sure to mention anger. The reader is surely going to experience anger at the government because of their nonchalant attitude towards fighting crime and safeguarding the lives and property of Nigerians. This attitude is captured by Habila in the way he narrates the transition of different government and the way they have all handled insecurity with levity. The focus, however, centres on Jonathan’s regime as president because it was during his tenure that the Boko Haram sect committed their most notable atrocity — that is, the abduction of the school girls from Chibok. The security agencies are also not innocent. Habila, through his report, captures instances where soldiers decided to collect bribes instead of arresting offenders. Surely, the callousness of the government officials and military personnel will surely emit the anger of the reader.

Furthermore on the pragmatic effect this novel has on the reader is that of apathy. Apathy in this sense means disinterest. This disinterest encompasses both religious and political participation. Because of the extreme way in which the insurgents attacked churches, many Christians, especially those living in areas in the north, will, of course, find it difficult to feel safe during church service; hence, they will end up avoiding service to God. An example of Boko Haram’s ruthless way of dealing with Christians is captured by Reverend Madu’s story on how his church was attacked. Muslims themselves are not exempted from religious apathy. Habila reports stories of clerics who were killed because they spoke against the tenets of Boko Haram. All these acts of violence against religious institutions will surely make the readers feel discouraged about religion.

Still on apathy as a pragmatic effect, one can, of course, not gainsay the fact that the activities of Boko Haram has caused a lot of people to become apathetic towards politics. This is evident in that there has been no elections in Chibok for years because of the fears of an attack by the terrorists. This political apathy will surely manifest itself in the reader because they will, without doubt, contemplate their safety during elections, and this will ultimately make them sit at home instead of voting. Another cause of political apathy definitely has to be the Nigerian irresponsible government. Helon Habila does not mince words as he reports how the government both at federal and state level have played huge roles in the current malaise of insecurity plaguing the country. Knowledge of this irresponsibility on the part of the government is likely to make the reader brand everyone in politics as birds of a feather; hence, the reader will surely show nonchalance towards politics.

Finally, the didactic lesson that can be learnt from Habila’s report is that early action by the government towards the prevention of crime is the solution to insecurity in the country. Habila draws attention to this by constantly reporting or emphasising how the various governments in Nigeria have ignored the signs of an uprising until it became out of hand as seen in the Maitatsine Uprising and Boko Haram Insurgency. Because history is deemed as a great teacher, it is expected that Nigerians (both the government and the readers) should learn from past mistakes in order to avoid repeating these errors.

In conclusion, the text Chibok Girls is one which captures the realities of people living in Nigeria. It is set in Nigeria; therefore, it may be regarded as one which will have lots of pragmatic effects on Nigerian readers. Some of these effects have been discussed in this essay; thus, proving that the text Chibok Girls is one which can be defined based on its affective powers on the reader.

Ude, Chiedozie Orji.

CALL FOR VOLUNTEERS!!!

Dear Esteemed Readers,
LITC — LOVE IS THE CURE — is hosting its second charity outreach on the 27th of December, 2019. So, you all are cordially invited to take part in it. Assist us in any way you can. We receive donations in form of cash, clothes, food items and toys. Join us today, as we spread the love during this period.

For more information on this, text or call the following numbers:
1. Chiedozie Ude *09090953414*
2. Chidinma Okonkwo *08180073734*
3. Afolabi Shobowale *08183848314*
4. Ekene Muolokwu *08127866274*
5. Andre Orji *08105463252*
6. Tochukwu Okoronkwo *08145697832*

Mother visits her daughter for omugwo, gets pregnant for her son-in-law

A mother who went to do Omugwo for her daughter has allegedly gotten pregnant for her son-in-law (her daughter’s husband).

Social media user, Uncle Chike shared the story on his page where he revealed the mother who is 57 year old has fallen pregnant for her son-in-law who just welcomed a child with her daughter.

Mother visits her daughter for omugwo, gets pregnant for her son-in-law

He wrote;

Man …fear PH women. How can you go for Omugwo and get pregnant for your son in-law? How? Why is a 57yr old woman pregnant for her son in-law? What sort of “end of the world” nonsense is this?

Source: Lailasnews.com

My Pu$$y will not rest until I Buy iPhone 11

iPhone Slay Queen
It is still interesting to see how people crave for iPhones especially the latest iPhones when they are put in the market.Many women will do anything for an iPhone to the extent that some will let men sleep with them in exchange for the Apple product.Since the outdoor of the latest iPhone 11 Max Pro, several celebrities including Sandra Ankobiah, Tonto Dikeh and others have flaunted their latest mobile device on social media.Tonto Dikeh who purchased 3 pieces of the brand new series of iPhone 11 Max Pro has advised women not to sleep with numerous men just to be able to purchase the fone which cost about $1000.00.A Ghanaian slay queen has turned deaf ears to Tonto Dikeh’s advice as she had vowed not to rest until she owns an iPhone 11 Max Pro.This slay queen whose name is yet to be identified made this pronouncement on social media shared by Hiplife founder Reggie Rockstone.In the said post which she added her photo, the lady posted her photo and her caption hinted she’s ready to allow men to have their way with her so she could get money to purchase the phone.See the screenshot below

Source: browngh.com

Horror Classics: THE VELDT by Ray Bradbury | GBAMLOG 

The Veldt, a short story by Ray Bradbury

“George, I wish you’d look at the nursery.”

“What’s wrong with it?”

“I don’t know.”

“Well, then.”

“I just want you to look at it, is all, or call a psychologist in to
look at it.”

“What would a psychologist want with a nursery?”

“You know very well what he’d want.” His wife paused in the middle of
the kitchen and watched the stove busy humming to itself, making supper for
four.

“It’s just that the nursery is different now than it was.”

“All right, let’s have a look.”

They walked down the hall of their soundproofed Happylife Home, which
had cost them thirty thousand dollars installed, this house which clothed
and fed and rocked them to sleep and played and sang and was good to them.
Their approach sensitized a switch somewhere and the nursery light flicked
on when they came within ten feet of it. Similarly, behind them, in the
halls, lights went on and off as they left them behind, with a soft
automaticity.

“Well,” said George Hadley.

Ray Bradbury

They stood on the thatched floor of the nursery. It was forty feet
across by forty feet long and thirty feet high; it had cost half again as
much as the rest of the house. “But nothing’s too good for our children,”
George had said.

The nursery was silent. It was empty as a jungle glade at hot high
noon. The walls were blank and two dimensional. Now, as George and Lydia
Hadley stood in the center of the room, the walls began to purr and recede
into crystalline distance, it seemed, and presently an African veldt
appeared, in three dimensions, on all sides, in color reproduced to the
final pebble and bit of straw. The ceiling above them became a deep sky with
a hot yellow sun.

George Hadley felt the perspiration start on his brow.

“Let’s get out of this sun,” he said. “This is a little too real. But I
don’t see anything wrong.”

“Wait a moment, you’ll see,” said his wife.

Now the hidden odorophonics were beginning to blow a wind of odor at
the two people in the middle of the baked veldtland. The hot straw smell of
lion grass, the cool green smell of the hidden water hole, the great rusty
smell of animals, the smell of dust like a red paprika in the hot air. And
now the sounds: the thump of distant antelope feet on grassy sod, the papery
rustling of vultures. A shadow passed through the sky. The shadow flickered
on George Hadley’s upturned, sweating face.

“Filthy creatures,” he heard his wife say.

If you liked this, you might want to try…

“The vultures.”

“You see, there are the lions, far over, that way. Now they’re on their
way to the water hole. They’ve just been eating,” said Lydia. “I don’t know
what.”

“Some animal.” George Hadley put his hand up to shield off the burning
light from his squinted eyes. “A zebra or a baby giraffe, maybe.”

“Are you sure?” His wife sounded peculiarly tense.

“No, it’s a little late to be sure,” be said, amused. “Nothing over
there I can see but cleaned bone, and the vultures dropping for what’s
left.”

“Did you bear that scream?” she asked.

‘No.”

“About a minute ago?”

“Sorry, no.”

The lions were coming. And again George Hadley was filled with
admiration for the mechanical genius who had conceived this room. A miracle
of efficiency selling for an absurdly low price. Every home should have one.
Oh, occasionally they frightened you with their clinical accuracy, they
startled you, gave you a twinge, but most of the time what fun for everyone,
not only your own son and daughter, but for yourself when you felt like a
quick jaunt to a foreign land, a quick change of scenery. Well, here it was!

And here were the lions now, fifteen feet away, so real, so feverishly
and startlingly real that you could feel the prickling fur on your hand, and
your mouth was stuffed with the dusty upholstery smell of their heated
pelts, and the yellow of them was in your eyes like the yellow of an
exquisite French tapestry, the yellows of lions and summer grass, and the
sound of the matted lion lungs exhaling on the silent noontide, and the
smell of meat from the panting, dripping mouths.

The lions stood looking at George and Lydia Hadley with terrible
green-yellow eyes.

“Watch out!” screamed Lydia.

The lions came running at them.

Lydia bolted and ran. Instinctively, George sprang after her. Outside,
in the hall, with the door slammed he was laughing and she was crying, and
they both stood appalled at the other’s reaction.

“George!”

“Lydia! Oh, my dear poor sweet Lydia!”

“They almost got us!”

“Walls, Lydia, remember; crystal walls, that’s all they are. Oh, they
look real, I must admit – Africa in your parlor – but it’s all dimensional,
superreactionary, supersensitive color film and mental tape film behind
glass screens. It’s all odorophonics and sonics, Lydia. Here’s my
handkerchief.”

“I’m afraid.” She came to him and put her body against him and cried
steadily. “Did you see? Did you feel? It’s too real.”

“Now, Lydia…”

“You’ve got to tell Wendy and Peter not to read any more on Africa.”

“Of course – of course.” He patted her.

“Promise?”

“Sure.”

“And lock the nursery for a few days until I get my nerves settled.”

“You know how difficult Peter is about that. When I punished him a
month ago by locking the nursery for even a few hours – the tantrum be
threw! And Wendy too. They live for the nursery.”

“It’s got to be locked, that’s all there is to it.”

“All right.” Reluctantly he locked the huge door. “You’ve been working
too hard. You need a rest.”

“I don’t know – I don’t know,” she said, blowing her nose, sitting down
in a chair that immediately began to rock and comfort her. “Maybe I don’t
have enough to do. Maybe I have time to think too much. Why don’t we shut
the whole house off for a few days and take a vacation?”

“You mean you want to fry my eggs for me?”

“Yes.” She nodded.

“And dam my socks?”

“Yes.” A frantic, watery-eyed nodding.

“And sweep the house?”

“Yes, yes – oh, yes!”

“But I thought that’s why we bought this house, so we wouldn’t have to
do anything?”

“That’s just it. I feel like I don’t belong here. The house is wife and
mother now, and nursemaid. Can I compete with an African veldt? Can I give a
bath and scrub the children as efficiently or quickly as the automatic scrub
bath can? I cannot. And it isn’t just me. It’s you. You’ve been awfully
nervous lately.”

“I suppose I have been smoking too much.”

“You look as if you didn’t know what to do with yourself in this house,
either. You smoke a little more every morning and drink a little more every
afternoon and need a little more sedative every night. You’re beginning to
feel unnecessary too.”

“Am I?” He paused and tried to feel into himself to see what was really
there.

“Oh, George!” She looked beyond him, at the nursery door. “Those lions
can’t get out of there, can they?”

He looked at the door and saw it tremble as if something had jumped
against it from the other side.

“Of course not,” he said.

At dinner they ate alone, for Wendy and Peter were at a special plastic
carnival across town and bad televised home to say they’d be late, to go
ahead eating. So George Hadley, bemused, sat watching the dining-room table
produce warm dishes of food from its mechanical interior.

“We forgot the ketchup,” he said.

“Sorry,” said a small voice within the table, and ketchup appeared.

As for the nursery, thought George Hadley, it won’t hurt for the
children to be locked out of it awhile. Too much of anything isn’t good for
anyone. And it was clearly indicated that the children had been spending a
little too much time on Africa. That sun. He could feel it on his neck,
still, like a hot paw. And the lions. And the smell of blood. Remarkable how
the nursery caught the telepathic emanations of the children’s minds and
created life to fill their every desire. The children thought lions, and
there were lions. The children thought zebras, and there were zebras. Sun –
sun. Giraffes – giraffes. Death and death.

That last. He chewed tastelessly on the meat that the table bad cut for
him. Death thoughts. They were awfully young, Wendy and Peter, for death
thoughts. Or, no, you were never too young, really. Long before you knew
what death was you were wishing it on someone else. When you were two years
old you were shooting people with cap pistols.

But this – the long, hot African veldt-the awful death in the jaws of a
lion. And repeated again and again.

“Where are you going?”

He didn’t answer Lydia. Preoccupied, be let the lights glow softly on
ahead of him, extinguish behind him as he padded to the nursery door. He
listened against it. Far away, a lion roared.

He unlocked the door and opened it. Just before he stepped inside, he
heard a faraway scream. And then another roar from the lions, which subsided
quickly.

He stepped into Africa. How many times in the last year had he opened
this door and found Wonderland, Alice, the Mock Turtle, or Aladdin and his
Magical Lamp, or Jack Pumpkinhead of Oz, or Dr. Doolittle, or the cow
jumping over a very real-appearing moon-all the delightful contraptions of a
make-believe world. How often had he seen Pegasus flying in the sky ceiling,
or seen fountains of red fireworks, or heard angel voices singing. But now,
is yellow hot Africa, this bake oven with murder in the heat. Perhaps Lydia
was right. Perhaps they needed a little vacation from the fantasy which was
growing a bit too real for ten-year-old children. It was all right to
exercise one’s mind with gymnastic fantasies, but when the lively child mind
settled on one pattern… ? It seemed that, at a distance, for the past
month, he had heard lions roaring, and smelled their strong odor seeping as
far away as his study door. But, being busy, he had paid it no attention.

George Hadley stood on the African grassland alone. The lions looked up
from their feeding, watching him. The only flaw to the illusion was the open
door through which he could see his wife, far down the dark hall, like a
framed picture, eating her dinner abstractedly.

“Go away,” he said to the lions.

They did not go.

He knew the principle of the room exactly. You sent out your thoughts.
Whatever you thought would appear. “Let’s have Aladdin and his lamp,” he
snapped. The veldtland remained; the lions remained.

“Come on, room! I demand Aladin!” he said.

Nothing happened. The lions mumbled in their baked pelts.

“Aladin!”

He went back to dinner. “The fool room’s out of order,” he said. “It
won’t respond.”

“Or–“

“Or what?”

“Or it can’t respond,” said Lydia, “because the children have thought
about Africa and lions and killing so many days that the room’s in a rut.”

“Could be.”

“Or Peter’s set it to remain that way.”

“Set it?”

“He may have got into the machinery and fixed something.”

“Peter doesn’t know machinery.”

“He’s a wise one for ten. That I.Q. of his -“

“Nevertheless -“

“Hello, Mom. Hello, Dad.”

The Hadleys turned. Wendy and Peter were coming in the front door,
cheeks like peppermint candy, eyes like bright blue agate marbles, a smell
of ozone on their jumpers from their trip in the helicopter.

“You’re just in time for supper,” said both parents.

“We’re full of strawberry ice cream and hot dogs,” said the children,
holding hands. “But we’ll sit and watch.”

“Yes, come tell us about the nursery,” said George Hadley.

The brother and sister blinked at him and then at each other.
“Nursery?”

“All about Africa and everything,” said the father with false
joviality.

“I don’t understand,” said Peter.

“Your mother and I were just traveling through Africa with rod and
reel; Tom Swift and his Electric Lion,” said George Hadley.

“There’s no Africa in the nursery,” said Peter simply.

“Oh, come now, Peter. We know better.”

“I don’t remember any Africa,” said Peter to Wendy. “Do you?”

“No.”

“Run see and come tell.”

She obeyed

“Wendy, come back here!” said George Hadley, but she was gone. The
house lights followed her like a flock of fireflies. Too late, he realized
he had forgotten to lock the nursery door after his last inspection.

“Wendy’ll look and come tell us,” said Peter.

“She doesn’t have to tell me. I’ve seen it.”

“I’m sure you’re mistaken, Father.”

“I’m not, Peter. Come along now.”

But Wendy was back. “It’s not Africa,” she said breathlessly.

“We’ll see about this,” said George Hadley, and they all walked down
the hall together and opened the nursery door.

There was a green, lovely forest, a lovely river, a purple mountain,
high voices singing, and Rima, lovely and mysterious, lurking in the trees
with colorful flights of butterflies, like animated bouquets, lingering in
her long hair. The African veldtland was gone. The lions were gone. Only
Rima was here now, singing a song so beautiful that it brought tears to your
eyes.

George Hadley looked in at the changed scene. “Go to bed,” he said to
the children.

They opened their mouths.

“You heard me,” he said.

They went off to the air closet, where a wind sucked them like brown
leaves up the flue to their slumber rooms.

George Hadley walked through the singing glade and picked up something
that lay in the comer near where the lions had been. He walked slowly back
to his wife.

“What is that?” she asked.

“An old wallet of mine,” he said.

He showed it to her. The smell of hot grass was on it and the smell of
a lion. There were drops of saliva on it, it bad been chewed, and there were
blood smears on both sides.

He closed the nursery door and locked it, tight.

In the middle of the night he was still awake and he knew his wife was
awake. “Do you think Wendy changed it?” she said at last, in the dark room.

“Of course.”

“Made it from a veldt into a forest and put Rima there instead of
lions?”

“Yes.”

“Why?”

“I don’t know. But it’s staying locked until I find out.”

“How did your wallet get there?”

“I don’t know anything,” he said, “except that I’m beginning to be
sorry we bought that room for the children. If children are neurotic at all,
a room like that -“

“It’s supposed to help them work off their neuroses in a healthful
way.”

“I’m starting to wonder.” He stared at the ceiling.

“We’ve given the children everything they ever wanted. Is this our
reward-secrecy, disobedience?”

“Who was it said, ‘Children are carpets, they should be stepped on
occasionally’? We’ve never lifted a hand. They’re insufferable – let’s admit
it. They come and go when they like; they treat us as if we were offspring.
They’re spoiled and we’re spoiled.”

“They’ve been acting funny ever since you forbade them to take the
rocket to New York a few months ago.”

“They’re not old enough to do that alone, I explained.”

“Nevertheless, I’ve noticed they’ve been decidedly cool toward us
since.”

“I think I’ll have David McClean come tomorrow morning to have a look
at Africa.”

“But it’s not Africa now, it’s Green Mansions country and Rima.”

“I have a feeling it’ll be Africa again before then.”

A moment later they heard the screams.

Two screams. Two people screaming from downstairs. And then a roar of
lions.

“Wendy and Peter aren’t in their rooms,” said his wife.

He lay in his bed with his beating heart. “No,” he said. “They’ve
broken into the nursery.”

“Those screams – they sound familiar.”

“Do they?”

“Yes, awfully.”

And although their beds tried very bard, the two adults couldn’t be
rocked to sleep for another hour. A smell of cats was in the night air.

“Father?” said Peter.

“Yes.”

Peter looked at his shoes. He never looked at his father any more, nor
at his mother. “You aren’t going to lock up the nursery for good, are you?”

“That all depends.”

“On what?” snapped Peter.

“On you and your sister. If you intersperse this Africa with a little
variety – oh, Sweden perhaps, or Denmark or China -“

“I thought we were free to play as we wished.”

“You are, within reasonable bounds.”

“What’s wrong with Africa, Father?”

“Oh, so now you admit you have been conjuring up Africa, do you?”

“I wouldn’t want the nursery locked up,” said Peter coldly. “Ever.”

“Matter of fact, we’re thinking of turning the whole house off for
about a month. Live sort of a carefree one-for-all existence.”

“That sounds dreadful! Would I have to tie my own shoes instead of
letting the shoe tier do it? And brush my own teeth and comb my hair and
give myself a bath?”

“It would be fun for a change, don’t you think?”

“No, it would be horrid. I didn’t like it when you took out the picture
painter last month.”

“That’s because I wanted you to learn to paint all by yourself, son.”

“I don’t want to do anything but look and listen and smell; what else
is there to do?”

“All right, go play in Africa.”

“Will you shut off the house sometime soon?”

“We’re considering it.”

“I don’t think you’d better consider it any more, Father.”

“I won’t have any threats from my son!”

“Very well.” And Peter strolled off to the nursery.

“Am I on time?” said David McClean.

“Breakfast?” asked George Hadley.

“Thanks, had some. What’s the trouble?”

“David, you’re a psychologist.”

“I should hope so.”

“Well, then, have a look at our nursery. You saw it a year ago when you
dropped by; did you notice anything peculiar about it then?”

“Can’t say I did; the usual violences, a tendency toward a slight
paranoia here or there, usual in children because they feel persecuted by
parents constantly, but, oh, really nothing.”

They walked down the ball. “I locked the nursery up,” explained the
father, “and the children broke back into it during the night. I let them
stay so they could form the patterns for you to see.”

There was a terrible screaming from the nursery.

“There it is,” said George Hadley. “See what you make of it.”

They walked in on the children without rapping.

The screams had faded. The lions were feeding.

“Run outside a moment, children,” said George Hadley. “No, don’t change
the mental combination. Leave the walls as they are. Get!”

With the children gone, the two men stood studying the lions clustered
at a distance, eating with great relish whatever it was they had caught.

“I wish I knew what it was,” said George Hadley. “Sometimes I can
almost see. Do you think if I brought high-powered binoculars here and -“

David McClean laughed dryly. “Hardly.” He turned to study all four
walls. “How long has this been going on?”

“A little over a month.”

“It certainly doesn’t feel good.”

“I want facts, not feelings.”

“My dear George, a psychologist never saw a fact in his life. He only
hears about feelings; vague things. This doesn’t feel good, I tell you.
Trust my hunches and my instincts. I have a nose for something bad. This is
very bad. My advice to you is to have the whole damn room torn down and your
children brought to me every day during the next year for treatment.”

“Is it that bad?”

“I’m afraid so. One of the original uses of these nurseries was so that
we could study the patterns left on the walls by the child’s mind, study at
our leisure, and help the child. In this case, however, the room has become
a channel toward-destructive thoughts, instead of a release away from them.”

“Didn’t you sense this before?”

“I sensed only that you bad spoiled your children more than most. And
now you’re letting them down in some way. What way?”

“I wouldn’t let them go to New York.”

“What else?”

“I’ve taken a few machines from the house and threatened them, a month
ago, with closing up the nursery unless they did their homework. I did close
it for a few days to show I meant business.”

“Ah, ha!”

“Does that mean anything?”

“Everything. Where before they had a Santa Claus now they have a
Scrooge. Children prefer Santas. You’ve let this room and this house replace
you and your wife in your children’s affections. This room is their mother
and father, far more important in their lives than their real parents. And
now you come along and want to shut it off. No wonder there’s hatred here.
You can feel it coming out of the sky. Feel that sun. George, you’ll have to
change your life. Like too many others, you’ve built it around creature
comforts. Why, you’d starve tomorrow if something went wrong in your
kitchen. You wouldn’t know bow to tap an egg. Nevertheless, turn everything
off. Start new. It’ll take time. But we’ll make good children out of bad in
a year, wait and see.”

“But won’t the shock be too much for the children, shutting the room up
abruptly, for good?”

“I don’t want them going any deeper into this, that’s all.”

The lions were finished with their red feast.

The lions were standing on the edge of the clearing watching the two
men.

“Now I’m feeling persecuted,” said McClean. “Let’s get out of here. I
never have cared for these damned rooms. Make me nervous.”

“The lions look real, don’t they?” said George Hadley. I don’t suppose
there’s any way -“

“What?”

“- that they could become real?”

“Not that I know.”

“Some flaw in the machinery, a tampering or something?”

“No.”

They went to the door.

“I don’t imagine the room will like being turned off,” said the father.

“Nothing ever likes to die – even a room.”

“I wonder if it hates me for wanting to switch it off?”

“Paranoia is thick around here today,” said David McClean. “You can
follow it like a spoor. Hello.” He bent and picked up a bloody scarf. “This
yours?”

“No.” George Hadley’s face was rigid. “It belongs to Lydia.”

They went to the fuse box together and threw the switch that killed the
nursery.

The two children were in hysterics. They screamed and pranced and threw
things. They yelled and sobbed and swore and jumped at the furniture.

“You can’t do that to the nursery, you can’t!”

“Now, children.”

The children flung themselves onto a couch, weeping.

“George,” said Lydia Hadley, “turn on the nursery, just for a few
moments. You can’t be so abrupt.”

“No.”

“You can’t be so cruel…”

“Lydia, it’s off, and it stays off. And the whole damn house dies as of
here and now. The more I see of the mess we’ve put ourselves in, the more it
sickens me. We’ve been contemplating our mechanical, electronic navels for
too long. My God, how we need a breath of honest air!”

And he marched about the house turning off the voice clocks, the
stoves, the heaters, the shoe shiners, the shoe lacers, the body scrubbers
and swabbers and massagers, and every other machine be could put his hand
to.

The house was full of dead bodies, it seemed. It felt like a mechanical
cemetery. So silent. None of the humming hidden energy of machines waiting
to function at the tap of a button.

“Don’t let them do it!” wailed Peter at the ceiling, as if he was
talking to the house, the nursery. “Don’t let Father kill everything.” He
turned to his father. “Oh, I hate you!”

“Insults won’t get you anywhere.”

“I wish you were dead!”

“We were, for a long while. Now we’re going to really start living.
Instead of being handled and massaged, we’re going to live.”

Wendy was still crying and Peter joined her again. “Just a moment, just
one moment, just another moment of nursery,” they wailed.

“Oh, George,” said the wife, “it can’t hurt.”

“All right – all right, if they’ll just shut up. One minute, mind you,
and then off forever.”

“Daddy, Daddy, Daddy!” sang the children, smiling with wet faces.

“And then we’re going on a vacation. David McClean is coming back in
half an hour to help us move out and get to the airport. I’m going to dress.
You turn the nursery on for a minute, Lydia, just a minute, mind you.”

And the three of them went babbling off while he let himself be
vacuumed upstairs through the air flue and set about dressing himself. A
minute later Lydia appeared.

“I’ll be glad when we get away,” she sighed.

“Did you leave them in the nursery?”

“I wanted to dress too. Oh, that horrid Africa. What can they see in
it?”

“Well, in five minutes we’ll be on our way to Iowa. Lord, how did we
ever get in this house? What prompted us to buy a nightmare?”

“Pride, money, foolishness.”

“I think we’d better get downstairs before those kids get engrossed
with those damned beasts again.”

Just then they heard the children calling, “Daddy, Mommy, come quick –
quick!”

They went downstairs in the air flue and ran down the hall. The
children were nowhere in sight. “Wendy? Peter!”

They ran into the nursery. The veldtland was empty save for the lions
waiting, looking at them. “Peter, Wendy?”

The door slammed.

“Wendy, Peter!”

George Hadley and his wife whirled and ran back to the door.

“Open the door!” cried George Hadley, trying the knob. “Why, they’ve
locked it from the outside! Peter!” He beat at the door. “Open up!”

He heard Peter’s voice outside, against the door.

“Don’t let them switch off the nursery and the house,” he was saying.

Mr. and Mrs. George Hadley beat at the door. “Now, don’t be ridiculous,
children. It’s time to go. Mr. McClean’ll be here in a minute and…”

And then they heard the sounds.

The lions on three sides of them, in the yellow veldt grass, padding
through the dry straw, rumbling and roaring in their throats.

The lions.

Mr. Hadley looked at his wife and they turned and looked back at the
beasts edging slowly forward crouching, tails stiff.

Mr. and Mrs. Hadley screamed.

And suddenly they realized why those other screams bad sounded
familiar.

“Well, here I am,” said David McClean in the nursery doorway, “Oh,
hello.” He stared at the two children seated in the center of the open glade
eating a little picnic lunch. Beyond them was the water hole and the yellow
veldtland; above was the hot sun. He began to perspire. “Where are your
father and mother?”

The children looked up and smiled. “Oh, they’ll be here directly.”

“Good, we must get going.” At a distance Mr. McClean saw the lions
fighting and clawing and then quieting down to feed in silence under the
shady trees.

He squinted at the lions with his hand tip to his eyes.

Now the lions were done feeding. They moved to the water hole to drink.

A shadow flickered over Mr. McClean’s hot face. Many shadows flickered.
The vultures were dropping down the blazing sky.

“A cup of tea?” asked Wendy in the silence.

Remember to like, comment and share. Follow this blog to subscribe to classics short stories.
ClassicsStories
The Veldt, a short story by Ray Bradbury
https://sensitiveskinmagazine.com/the-veldt/

Everywhere Konji!!! 85-Year-Old Woman Caught In A Group SXX With 5 Men. GBAMLOG.COM

85-Year-Old Woman Caught In A Group SXX With 5 Men

An 85-yr-old woman has been arrested after she was caught having group sxx in woodland in Connecticut, the United States in the penultimate week.

On Aug 9, concerned citizens called the police to report a public hook-up happening in the wooded area. The octogenarian was spotted with 5 elderly men including her husband having an orgy.

Image result for 85-Year-Old Woman Caught Having Sex With Five Men, Including Her Husband

All six were apprehended and charged with breach of peace.

The senior citizens are identified as Joyce Butler, 85 – the only woman participating in the orgy – her husband Richard Butler, 82; Daniel Dobbins, 67; Otto D. Williams, 62; Charles L. Ardito, 75; and John Linartz, 62.

Image result for 85 year old woman

According to the Fairfield Police Department, the senior citizens were busted while getting hot and heavy at the Grace Richardson

The Scene of the group sex; and four of the culprits.

Conservation Area during a surveillance operation on public hook-ups in the area. Two of the suspects, Daniel Dobbins and John Linartz have additionally been charged with public indecency.

Dobbins was previously charged with second-degree breach of peace by Connecticut police after witnesses said they spotted him walking around a park naked before police found him inside his car “with his shirt and shorts draped over him and no underclothes.”

The culprits have been released and will appear in court at a later date.

Leave your comments below…

Source: dailyadvent

Analysis on Matiiku by Chiedozie Ude. GBAMLOG.COM

Ude, Chiedozie Orji.
Department of English, UNILAG

Analysis on Matiiku

It is no news that trying to analyse a live performance is a tricky job. This trickiness may be as a result of different factors such as place and time— or more impressive, the complex nature of literature. Notwithstanding this difficulty, this paper will make an attempt to critically analyse the stage play entitled Matiiku. This essay will succinctly summarise the play and its subject matter, making use of factors such as the stage management and the gestures (which some may refer to as body language) of the actors to defend the choice of subject matter. The attention that will be paid to the factors stated above stems from the technical nature of the dialogue — that is, it was, to a very large extent, exclusively performed in the Yoruba language. However, the focus on the gestures and stage management does not in any way downplay the usefulness of the dialogue in this analysis because its importance in making the play fit its setting, and also, its subject matter cannot be overlooked. Also, it is important to note that this essay will include foreign references — that is, events or even books outside the narrative — which will be used support the arguments expressed in this paper. All these will be combined to comprehensively analyse this play.

This segment of the essay will comment on the playwright and the setting of the play. Not much is known about the playwright; hence, we move on to the setting of the play. The play is set during the colonial era, and this is reinforced through the manner in which the stage was set, and the numerous festivities which took place — the market scene; the baby/ritual scene; and the court dispute between the colonial district officer and the people. The latter is unarguably the strongest supporter of the claim that the play is set during the colonial era because it not only captures the communication problems that plagued the colonial masters due to their inability to grasp the local languages employed by their subjects, but also captures the presence of the white man (The district officer); hence, justifying the time setting— that is, the colonial period. The place setting of the play is Lagos. The introduction of three characters at the beginning of the play who represent the three white-cap chiefs of Lagos is testament to this fact. They, unequivocally, strengthen the play’s genre — that is, a historical play.

The subject matter of the play revolves around a man, who was predestined to be king, right from birth. This information was exposed by the narrator, before the start of the play. Hence, one can say that the plot of the play is based on the child, whom the oracle chooses as king. As expected, he becomes the king of Lagos once he attains adulthood; although, the colonial government later wrestled power from him. It is important to state that the fulfillment of the prophecy on the life of the king is a common motif in Yoruba themed plays— that is, the oracle can never be wrong— such as Ola Rotimi’s The Gods are Not to Blame, where the pronouncements of the oracle on the main character comes to pass. Therefore, one can be justified to state that there is a theme of fate (inevitable destiny) in the play. Another thing that is worthwhile to discuss is how the scenes in the play are linked by an interlude of music and dance. These performances (music and dance) may be regarded as entertaining because of the choreographic dance steps employed by the dancers. Being a traditional play, these songs should have deeper meanings, but that is not the focus of this essay. So, this analysis will rate the musical interlude from the standpoint of pleasure and entertainment.

One may describe the stage management as almost impeccable due to the perfect way the stage was set to represent the setting, and also, their flawless deployment of the lighting technique. To me, it is this lighting technique that makes the play stand out. The lights came up when and where necessary, not a second too early or late. Unarguably, the lighting technique was most effective when it was employed to show time — that is, day and night. This topnotch use of this technique is also brought to the fore when the lights were dimmed during the ritual scene. The solemnity and sacredness of the rituals were well captured by the eerily spooky umbrella of semi-darkness. This was enough to make the watcher understand the importance of these rituals. Another important thing I noticed due to the arrangement of the stage is the market scene. The market scene is crucial in traditional plays. The market is known as a place where rumours and stories thrive. Little wonder the birth of the would be king is announced in the market setting. The market scene is also ideal for announcement of the king’s birth because it reinforces Soyinka’s principle in Death and the King’s Horseman of the market place being a strategic location for the meeting of the three realities in Yoruba mythology — that is, the world of the unborn; the world of the living; and the world of the dead. It is important to note that the market place also serves as a link between these realities. Hence, this well believed myth strengthens the writer’s use of the market scene to announce a transition — that is, from the world of the unborn to the world of the living. The stage management was described as almost impeccable at the beginning of the paragraph because it had slight flaws. One of such flaws is the bad sound systems used in the play. Aside this, one can be justified to give the stage management crew an excellent score for a job well done.

Also, the gestures of the actors also enable non speakers of the Yoruba language to have an insight on some of the happenings in the play. The slow pace, with which those who are to make prophecies on the child move, gives insight to the audience that these men must be truly special and of high importance in the society. The greatness which is proclaimed on the baby is evident when the priests and other spectators bow to the child. However, the child’s mother refuses to bow to her child; hence, bringing into play the African belief that expects a child to prostrate himself to his parents, and not the other way round.

In conclusion, if I were asked to give my personal opinion on the play, I would rate it as a largely successful performance. The topnotch techniques employed by the stage management crew played a huge role in this. As a member of the audience who could not fully grasp the dialogues, I was entertained by the dance interlude. Hence, I can boldly describe the play as a successful one. In conclusion, this essay has made an attempt to analyse the production of the play Matiiku.

Works cited:
Ola Rotimi’s The Gods are Not to Blame.
Wole Soyinka’s Death and the King’s Horseman.

Man Arrested For Sleeping With Mad Woman In Lagos (Photo). GBAMLOG.COM

The man arrested for sleeping with a mad womanThe Police in Lagos have arrested a 30-year man, who reportedly specialised in engaging and impregnating mad ladies on the streets, after he allegedly took a pregnant mad woman into an uncompleted building to have s-x.The suspect, Laminu Alli, was apprehended by the Lagos residents after he was reportedly caught inside the uncompleted building, where he went to have s-x with victim simply identified as Christiana.The incident happened at Isheri Olofin along Igando-LASU Expressway to Iyana Iba area of Lagos.PM Express gathered that it was not the first the suspect, Alli, had reportedly been caught with mad women inside uncompleted building but the residents decided to confirm their suspicion over a period of time.Alli was said to have taken the mad victim, Christiana, into the building and pulled his trouser in order to penetrate her before he was caught and accused of armed robbery.However, he denied being an armed robber but only took the victim into the building in order to have sex with her despite the fact that the victim was pregnant and not mentally balanced.He was handed over to the Police at Idimu Division. After interrogation, the Police found him culpable and later arraigned him before the Ejigbo Magistrates Court for attempting to rape a mad woman by force with the knife found on him.He pleaded not guilty.The prosecutor, Supol Kenneth Asibor, asked the Court to give a date for hearing since he pleaded not guilty to enable the Police to prove the matter.Thus, the Presiding Magistrate, Mr. T.O Shomade, granted him bail in the sum of N100,000 with two sureties in like sum.He was remanded in prison custody pending when he will perfect his bail. The matter was adjourned till 12th August, 2019.

Source: tori.ng

The man arrested for sleeping with a mad womanThe Police in Lagos have arrested a 30-year man, who reportedly specialised in engaging and impregnating mad ladies on the streets, after he allegedly took a pregnant mad woman into an uncompleted building to have s-x.The suspect, Laminu Alli, was apprehended by the Lagos residents after he was reportedly caught inside the uncompleted building, where he went to have s-x with victim simply identified as Christiana.The incident happened at Isheri Olofin along Igando-LASU Expressway to Iyana Iba area of Lagos.PM Express gathered that it was not the first the suspect, Alli, had reportedly been caught with mad women inside uncompleted building but the residents decided to confirm their suspicion over a period of time.Alli was said to have taken the mad victim, Christiana, into the building and pulled his trouser in order to penetrate her before he was caught and accused of armed robbery.However, he denied being an armed robber but only took the victim into the building in order to have sex with her despite the fact that the victim was pregnant and not mentally balanced.He was handed over to the Police at Idimu Division. After interrogation, the Police found him culpable and later arraigned him before the Ejigbo Magistrates Court for attempting to rape a mad woman by force with the knife found on him.He pleaded not guilty.The prosecutor, Supol Kenneth Asibor, asked the Court to give a date for hearing since he pleaded not guilty to enable the Police to prove the matter.Thus, the Presiding Magistrate, Mr. T.O Shomade, granted him bail in the sum of N100,000 with two sureties in like sum.He was remanded in prison custody pending when he will perfect his bail. The matter was adjourned till 12th August, 2019.

Source: tori.ng