Tag Archives: Mystery

CRIME STORY: ONCE A MURDERER ALWAYS A MURDERER… by Lois | GBAMLOG.COM

He was a nice man, good looking and a church go-er, he was loyal to god as much as he was his wife Ann-Marie. He’s tall, around about 6’2 I’d say, not much meat on his bones but well looked after whether it was by himself or his wife. Tint of dark in his skin and bright green eyes, I could see why Ann-Marie loved him, but his looks wasn’t just who defined him, he would always have a glowing smile that would stand out in the crowd, his voice was one the angels loved to listen to, never a violent side to him, never a bad look in his face.
What made him do it?
Ann-Marie was slightly younger, the 24 year old who always dressed appropriately and was proud to show off her perfect man, every Sunday morning they would walk in to church together, holding hands… smiling and welcoming everyone they walked by, never a day went by that they didn’t show up to church.
On September the 12th 1984, He had turned up to church without his woman at his side, just him, himself and god. Many people fussed around him, “how is your wife?” He was questioned a few times, “she is good, resting at home” he would reply, everyone quickly become suspicious but not long after we was to find out… there was to be a congratulations in order, when Ann-Marie was back on his side but her stomach was much more slightly bloated, straight away people raced over to them both with glowing smiles, some didn’t approve but the ones that did fluttered them with happiness.

“Meeting the murderer” you wouldn’t think it right? You’d expect a jobless man with nothing to loose but him, he had everything to loose.

Months went by and Ann-Marie got bigger, they had broke the news of expecting their baby girl by the begging of June, although it was March and she was getting bigger and having the pregnancy struggles, she still always shown her face in the church. Since we found out, the priest would always have us sing along to a personal good luck song, ensuring our song was heard with the angels and their baby will grow stronger each day. She was looking really good, they started to look a bit more distant but I suppose that is simply what having a baby does. Having a baby plays with your emotions and the way you feel, it’s life and it’s a life growing inside of you which makes it worth it but I don’t think he understood this when she told him she was leaving.
Anger flustered through his mind, he felt overpowered by the woman carrying his daughter, he rang the emergency number, “I’ve stabbed my wife 17 times! She’s lay head on the kitchen floor.” He handed himself in before racing to the kitchen and killing her by stabbing her 17 times like he said. The police later turned up

Weeks went by, it was his trail date, he had admitted to everything and will more than likely plead guilt to murdering his wife and unborn baby. But his solicitor has other plans rather than jail. “I murdered my wife, god has yet to forgive me” head line news all over the paper, will his faith in god let him be a free man?
No he wasn’t a free man, at least not for 18 months he wasn’t. A reduced sentence for the heart felt man he was, his loyalty to god and his guilty plead. Even in prison he never missed a day of praying… did he actually make a mistake? Will god forgive such a violent crime and will he ever forgive himself?

18 months passed, he was back out, his first mission was to go to his community church and ask the community for forgiveness. Many turned him down but many accepted, “thou shalt not kill… but thou shall give forgiveness when asked” the priest responded before shaking his hand, “welcome back, Darius” he welcomed before walking through to the front of the church where the priest then repeated loudly, “thou shall give forgiveness when asked” most clapped and agreed but others had over opinions, “thou shall not covet” a voice shallowly but confidently shouted from the other side of the church, low silence claps of agreements follow.

Months went on and the ones who didn’t forgive started to accept he is a member of their community and he does have the same love for god as they share. He was welcomed to sit where he pleased without the funny looks and the quiet judging, he felt normal again but obviously his wife and child wasn’t there, but that is something he is to live with for the rest of his life.

Years went on, all had been forgotten until one day, he was welcomed into a church holding the hand of a new loved one, her children followed behind them. She introduced herself, “Janet” to everyone to welcomed her, not a word of Ann-Marie was spoken but did she know she was allowing a murderer into her life?

TRUE MYSTERY: WALLPAPER by Ken DaSilva-Hill | GBAMLOG.COM

This is an absolutely true story, and I am telling it for the very first time.
I used to work as a fine art restorer and conservator, but my remit was far wider than just paintings and sculpture. As a specialist in contemporary art and specialist materials, my work involved everything from art to zoology through mosaics, kinetic art, electronics and lapidary. Over the course of nearly forty years I either restored or conserved for the future many works by world famous artists, many objects now on display in the worlds greatest museums and palaces, and also worked for many VIP’s and celebrities from rock and rollers to royalty.
There are many unusual stories that I could tell from these years but the following is probably the strangest and most intriguing, so here we go.
I was once called in to estimate for performing some restoration work in an eighteenth century private mansion in a very famous London square, not so very far from Harrods in Knightsbridge. The house is a large and imposing Georgian building over five floors, the typical ‘Upstairs, Downstairs’ home which, in it’s heyday, employed a Butler, Footmen, Chef and myrid other servants to look after a large rich family who lived in opulent circumstances. Two world wars had thined out the residents of the house however, the toll of war is hard on family life and England had changed forever, it would never be the same again.
By the nineteen eighties of course, the butler and footmen had gone and the remaining family members were now reduced to actually working for a living, and largely looking after themselves, although still hanging on to their upper class ideals in many ways.
The house had been somewhat neglected, since world war two had left it with fewer family and staff, with the upkeep on these large london mansions being a huge millstone around the necks of the owners they scraped by with just the minimum of paid staff.
But, by the nineteen eighties there was some new money around, and the house was slowly being worked on, being refurbished and redecorated room by room.
The job that I was called in to look at involved a very large room which had originally been a ballroom. One could imagine the dances and ball’s that had once graced its interior, with the ladies wearing their finest clothes and the men in white tie and tails as they walzt the nights away.
This room had originally been very finely decorated with long brocade drapes at the tall wide windows, there was carved and gilded details to the scaglioni faux marble pillars, which were surmounted by gold leafed ceiling panels and architraves. It was absolutely splendid and in generally good condition if somewhat shabby.
The broad walls were hung with fine Chinese silk, this was stretched in the usual way over wooden lathes fixed to the wall beneath, the seams and joints carefully arranged to allow the design to flow across the wall without interuption. The skill which was needed to achieve this perfection is hard to describe, but one imagines a team of nineteenth century workers putting great craftmanship and not a little love into their work, to complete this effect of luxury. Sadly now as I looked, the silk was fadedd, loose in a few areas, dirty and stained in others and needing some new love to bring it back to life.
In cases like these, we conservators try hard to save everything possible, replace with new the minimum, and to treat the materials with great respect and reverance. We are like doctors looking at a fragile patient. We try to do no harm.
The light blue of the silk was now faded around the window reveals to a pleasant grey blue which set off the beautiful design of an oriental landscape, with small pavillions scattered across rock strewn gardens of cherry blossom and bamboo, reminiscent of that of fine porcelain.
Investigating the corner joints, I discovered that the vertical seams had been carefully inserted into slots cut into the wooden lathes and scured with narrow silk covered fillets. It would be fairly easy to release the silk from the frame, although great care would be needed in the full removal.
One wall seemed to have had a previous restoration, as the silk was somewhat looser in the stretch and part of the pictorial design did not quite match. I took reference photographs, made measurements of the wooden framing and many notes about the condition of the walls and wall coverings in regards to the windows and doorways.
Well, within a week an estimate was prepared, along with a working plan and materials list, and was submitted to the owners of the house. I heard no more for about eight months, in fact, just as I was giving up hope of ever getting the job.
Yes, we had the contract, we could go ahead as soon as we could arrange the work to fit in with our present commitments.
I visited the mansion again to make final arrangements, taking along a young lady conservator who was to do the preliminary work. She was delighted to be involved, and I had much faith in her ability to do an excellent job.
We started in early June, the weather in London was beautiful that year and the house was virtually ours, as both the family and their small staff had left for holidays in Italy. Only the hired caretaker remained, more of a live in security guard really, as his care taking duties were light, so we rarely saw him.
After a few days we had made inroads into removing the silk from two walls, each panel carefully photographed as it was taken down, whilst a condition report was prepared for future use, and diagrams made for the refitting.
At this point I was calłed away to an emergency situation in a gallery in the south of London, trying to save as much as I could from a fire which had ripped through after a poorly placed halogen spotlamp had set fire to a curtain. My assistant carried on at the mansion, I have always had full trust in her and was confodent that the job would go swimmingly.
Dealing with the fire damaged art was both messy and time consuming, but we got stuck into the job and concentrated on saving what we could.
A few days later, I recieved a frantic call from the office, could I go immediately to the mansion as there was some sort of problem, the reason was not stated as my assistant wanted to have me take charge of the situation.
I arrived early next day, and Lucy
asked me to come up to the ball room. She had removed almost all of the silk and the battens, carefully numbered were neatly stacked in the center of the dance floor. Only one wall of silk remained in place, the wall that had had evidence of earlier work. The other walls were now all cleaned of cobwebs and the light yellow of the plaster glowed in the sunlight from the windows.
Lucy had already told me that there was an unusual texture under the remaining silk, and now as I peeled it carefully back I could see that the wall was covered in a patchwork of small paper rectangles which had been distempered over. In some places there was evidence of mould and flaking of the surface.
We removed the remaining silk and battens, working carefully to do no damage to the wall beneath.
With the silk covering folded, and the battens numbered and stacked, we looked closer at the wall. In one section a paper rectangle was loose on the corner, so very gently and taking great care we gradually eased it away from the wall. It took nearly an hour to remove, but came away undamaged. On closer inspection it seemed to have something written upon it, but the distemper on one side and the thick mould on the other made it difficult to see. I placed it into an acid free envelope, and Lucy took it back to the workshop that evening, and handed it on to our paper restorer.
Two days passed, with me back at the fire scene, and Lucy having a short break with family. Then I got a call from the office, what did I want done with the fiver?
It turned out that after working on the paper rectangle for a couple of days, the paper restorer had discovered that under the mould and distemper, the rectangle was actually an old English white paper banknote. A five pound banknote!
I called Lucy, and put her in charge of removing the rest of the rectangles from the wall, and arranged for the paper restorer to be on hand to help with the job.
He set up a small on site workshop and lab in the ball room, so that each banknote could be processed on site. In total three and a half thousand five pound notes were removed from the wall. It took the best part of six months to process them, with only six being deemed to fragile to save. Of course, the family were delighted with our find, even more so when the notes, presented at The Bank of England, were paid out in full face value. Seventeen thousand pounds, had been pasted onto the wall, but by whom?
Various ideas were put forward, but we suspect that the notes had been pasted onto the wall either at the time of the Wall Street crash of 1928, or had been hidden away there at some time during world war two, possibly for safe keeping by a family member who subsequently sadly died in the conflict. Whatever, it made the present family extreemly happy to have an unexpected windfall of money, which would be worth in excess of a quarter of a million pounds in todays money, taking inflation into consideration.
Well there you are, a most unusual find and a most unusual true story.
So, next time you move house or redecorate, be careful how you remove the wallpaper or covering, because I suspect that this was not the only hoard of banknotes safely stored for the future in that way.

 

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MYSTERY CLASSICS:NOTES FROM A SPIDER by Camilla Grudova | GBAMLOG.COM

These notes were found in a leather binder, written on loose-leaf paper of good quality. The binder was stuffed in an old trunk, underneath a moth-eaten fox fur, small black records, many broken needles, tattered bits of sewn cloth and empty glass medicinal bottles, in a condemned building, the last of many to be torn down to make way for modern and sanitary housing.

I couldn’t have been born in any city but this one, a great European capital filled with beautiful, highly detailed architecture, a castle overlooking the river, the city a spread of gilded and copper garlic-like domes, gargoyles, steeples, trains, lampposts resembling moons entrapped by black vines, skylights like dew on buildings, factories, workshops, cabarets, a forest of iron, stone, glass. I certainly can’t imagine myself existing in an American or Siberian village, a desert, a valley. I have only seen such places in books, I have never left the city in which I was born. I’m given many invitations to visit villas in foreign countries, castles, the seaside, but I worry I would disappear as soon I stepped out of this city, like a cloud of smog.

I feel part wrought iron, part human and, I won’t lie, part vermin.

I have eight legs, and the upper body of a normal man. Black hair, elegant nose and melancholy green eyes, a good set of fake teeth made out of elephants’ tusks – I had my real ones removed, like so many gentlemen of my city, so I could enjoy rich food and drink without continual visits to a dentist. I had my fake ones designed to be sharper than my originals, more fang-like. The style has been emulated by many men, young and old.

I bring to mind a spider, an umbrella, a marionette.

The way I move I resemble a large hand with a few extra fingers. I only have one set of genitals – thank goodness! The delicacy and sensation of having a pair between each leg would be unbearable.

The spaces between my other legs resemble armpits, but slightly firmer. They are hairy. I have the hair removed with wax, so there will be less ambiguity when viewing my naked form. I take great care of my feet, each nail covered in clear, shiny polish, each sole dipped in scented powder.

My anus is directly underneath me, my buttocks a circle in the centre of my legs, much like a lavatory on which my torso permanently sits. A chamber pot is much easier for me to use than a modern toilet, and the cafés I patronize regularly provide me with one. Afterwards, I wipe myself with a wet cloth. I take great care with my appearance. I have suits especially made to fit the proportions of my body, though some, including my doctor, have suggested it would be more comfortable for me to wear a gown.

I never wear unmatching shoes, though some people would imagine I would want to, in order to show off my vast collection of footwear. I buy four pairs of each shoe I desire, and wear them all at once.

I could be a stone arabesque that crawled off a building, or a complex contraption belonging to a barber, a photographer or a mathematician. I could be one of many things that exist in the modern city, I play various roles in many fantasies.

It’s impossible to imagine my parents, I believe I simply rose out of the city, out of a steamy grate, like Venus out of the ocean. There are many men in the city, deformed by the guns and cannons of the last war, who have only one or two limbs left, or none at all – in a sense they are my fathers. If there is nothing shocking about a man with one limb, what is so shocking about a man with eight?

A soldier with one arm and no other limbs lives on a small wooden wagon outside the metro near my apartments. I always gave him coins until one day he asked if he could have two of my legs instead. He laughed, but his eyes looked so envious, so hungry, that I never stopped to give him anything again. I scurried away on my infinitely precious eight feet, an abundance of flesh.

From what I was told, I was left on a church doorstep, like a gargoyle that had fallen from its façade. I was brought to an orphanage, but I was too exceptional to stay in an orphanage long, news spread of me quickly. A handful of kind, curious patrons hired a nanny to raise me, tutors to educate me, a doctor to watch my health carefully. I was a particular favourite among wealthy women. No one person possessed me, I was considered a child of the city. Everyone important visited, brought me toys, books, musical instruments.

Though I wasn’t forced to learn a specific skill, or to heighten my difference with strange tricks, like the circus dwarf who is taught to juggle and dance, I played piano a little, had a fine voice, and knew arithmetic. But I knew from a young age that I would mainly devote myself to pleasures of less effort: to eating, drinking, reading, loving.

My legs are somewhat weak, long but childlike, despite exercises especially designed by my doctor. It is necessary that I walk with a cane. I have one with a silver spider on the handle.

With women, I often oblige them to sit astride me so that I won’t be overly weakened. I sleep the way a flower does, closed like an umbrella.

I have many women friends, and many woo me. One, a rich baron’s wife, had a coat made out of insects’ fur for me. She had hundreds of tarantulas and bees killed in order to make it, in order to appeal to me, but never have I been so repulsed. I care deeply for the creatures so many others despise: spiders, moths, rats, mice, all manners of bugs. They are my kind.

I have two pet rats, one white, one black, Odilon and Claude, whom I take with me everywhere in a leather and gold cage. I feed them candied almonds, bits of sausage and oranges. They are fond of me, they love to crawl across my many limbs, and I have my suits made with a few extra inches of loose fabric so that they can comfortably sit between my legs and the cloth. People often mistake their lumpish outlines for further deformations of my body, and are horrified when they move.

I am the city’s muse. Many artists have painted me, and there is a sculpture of my body, nude except for a bowler hat, in a public garden, upon a pedestal, with a poem, written in my honour, carved into it.

An architect designed a glass and steel pavilion full of palms where one can have tea, topped with a bronze model of my head, and a round theatre, made of black and white marble, the black marble designed in arches emulating my legs.

I also make a substantial amount doing advertisements for: absinthe, shaving lotion, wafers, sparkling water, brogues, bowties, soap, feather dusters, jewellery, truffles, silk, macaroons, liquorice, typewriters, photography studios, paint, thread, tea, perfume, coffee, Bergamot oil, sock garters, galoshes, tinned oysters, umbrellas, moustache wax, fishnet stockings, walking canes, bowler hats and nougat.

I refuse to do advertisements for insecticide, though I have been asked many times. How I hate those horrible shops with rats nailed to the façade, boxes of poison, traps for creatures of all sizes, some so large they might catch an unfortunate child.

How I love cockroaches, lice, fleas, pigeons, moths, rats, mice, spiders, sparrows and of course, cimex lectularius. It is thanks to me such dwellers in this city have a safe haven. Using my vast funds, I created a zoo where a selection of so-called vermin can exist in fascinating proliferation, in a closed-off area of the city, where glass tunnels have been built so that human citizens may walk through unmolested and unbitten. Visitors bring them rotten meat, stale bread, old clothes and bedding. Some find it relaxing, even addictive, to watch the creatures propagate, consume, die, to see them exist in a space where they can do each without restraint, without poison, brooms, traps, felines and dogs.

From a distance, my zoo resembles a great gallery or train station. It has many glass roofs, and grand pediments with friezes depicting rodents and insects. At the entrance, there is a bronze statue of me, a rat in one hand, a moth in the other.

I love the moth house, for those creatures consume everything. The moths were enclosed in a structure resembling a greenhouse. Every morning a man who wears an outfit similar to a beekeeper’s opens one of the glass panels and throws in a bag of stale bread and a pile of coats. In such profusion, the swarms of moths resemble swathes of brown fabric or vicious and strange tropical trees which sway to an unknown breeze.

Inside the rat house is a model in miniature of our city, the very same buildings and streets, so that one may watch the rats, so manlike with their hands and whiskers, go about their business of breeding, eating and digesting. The cockroaches and mice keep themselves hidden under old mattresses and couches. If one taps the glass of their cage with a cane or a fist, they move from one hiding place to another, storms of brown and grey. I always bring along a pair of opera glasses, to view the fleas and bed bugs.

The spider house is quiet. It has so many webs it resembles an arctic landscape in its whiteness. It is still except for the morning feeding, when flies and other small creatures are sacrificed. There is a great difference to me between a spider that needs blood, and so must kill, and the unnecessary crushing of spiders, simply because we do not like the sight of their webs in our windowsills. The spinning of webs in the zoo is barely perceptible to the viewer, but the spiders communicate with each other by playing their webs like string instruments, a harmonious music you can hear when all else is silent. They are common household spiders, from the windowsills and corners of my city. Some auspicious women visit the zoo specifically for the spiders, almost praying to them, telling them their secrets and their ailments, as if their words will be absorbed into the webs. I heard that some younger women bring, hidden in precious boxes, the pulp of their menstruation to give to the spiders, believing that doing so will bring them love, marriage, children, and even death. The zookeeper has shown me such boxes, like the ones rings are held in, but stained with blood. He keeps them in his office, after dropping the blood clots into the spiders’ home.

I also draw such attentions. Women unsatisfied with their husbands and unable to bear children come to my apartments begging. I sometimes oblige if their gifts for me are exquisite enough – a fur stole, or a crate of pomegranates or blood oranges, each fruit wrapped in gold foil, for example. The children that result all have my distinguished face, but none my multiple legs. Some women were too nervous and excitable when they saw me naked, my phallus extended like a ninth leg. The women most capable of dealing with an array of different bodies were prostitutes. They told me about the hundreds of deformities hidden under men’s clothing. They were never surprised nor shocked. Publicly, I spent most of my time with actresses and opera singers. I had my own box at all the theatres and opera houses in the city. I always wore a long black cape and sat in the back of my boxes, half hidden in the shadows so as not to draw attention away from the performances. I was the most famous man in my city, my face was everywhere. I was like a monument so large you could see it from wherever you were standing. There was even a ballet and an opera written about me. The ballet was titled Son of Arachne, the opera The Black Spider.

I have been asked to take to the stage myself, but my health would not permit it. It would be too exhausting on top of all my other activities.

It was after the premiere of Son of Arachne, however, that I fell into despair. For the pas de deux, a male and female wore tutus designed to look like multiple legs. (Ah, that female equivalent of me that doesn’t exist!) How they danced together, while I faced life alone! I bought a female tarantula from an exotic menagerie and kept her in a glass box shaped like a palace, I slept with four prostitutes all at once to immerse myself in a tangle of female legs, and later, I borrowed the costume from the ballet and made one of the women wear it, but nothing satisfied me. I went for long drives in my carriage at night, the carriage itself was spiderlike, I had its lace curtains designed to look like webs. I was searching, it seemed impossible that this city of factories, of specialist shops, this city that could produce everything in great quantities could only produce one of me. I stopped in front of Gothic cathedrals and ornate balconies, hoping for a mistress who resembled me to crawl down from their heights.

On one such night, driving across a shopping boulevard where the shop window lights were kept on all night, I spotted the most beautiful but inhuman thigh and told my driver to stop. It was a sewing machine shop. The machine in the window had four legs, like iron plants, a wooden body, a swanlike curved metal neck and a circular platform to run the fabric across, not unlike the plate on a gramophone where the record is placed, and a small mouth with one silver tooth. She was an unusual, modern creature. What beautiful music she must make! Florence was her name, it was stencilled on the shop window. florence. I sat there in my carriage until it was morning and the shop opened. I hastily purchased her, the one in the window. They asked if I wanted her taken apart for carrying, but I had her put, as is, in my carriage. I drove through the city, my legs entwined with hers, two of my feet placed on her sole-shaped pedals.

The shop owners gave me a catalogue of sewing machines, all the names tantalizing: Cleopatra, Countess, Dolly Varden, Daisy, Elsa, Alexandra, Diamond, Gloria, Little Gem, Godiva, Jennie June, Pearl, Victoria, Titania, Princess Beatrice, Penelope, Queen Mab, Empress, Anita, Bernina, Little Wonder, but none more than my Florence, sitting across from me.

Back at my apartments, I tried to bring her to life. I put a hankie from my pocket below her mouth, I fed her string, the very best, I pressed the pedal, but she was stubborn. She swore at me in large, uneven stitches, harsh lines on my kerchief. I wept. I embraced her desperately, kissing the metal body, but she was frigid and still.

Florence needed a woman to assist her, a lady in waiting, she was telling me. I asked one of my servants to call one of the prostitutes I saw regularly, and to bring her over in my carriage as soon as possible. Her name was Polina and her black, curly hair reminded me of Florence’s legs.

After she undressed, I told her to sit at the machine, and sew.

She pressed the pedal and laughed, blowing me a kiss. She got up and tried to join me on my chaise, but I demanded she sit down by Florence again. She pouted, and said what use did she have for knowing how to use a sewing machine? Her Madame fixed her underthings when they were torn. It wouldn’t do! I needed a professional, a seamstress. I told Polina to get out. I immediately wrote an ad for a newspaper and sent it by telegraph so it would appear the next morning.

WANTED

SEAMSTRESS

Oh those poor thin bespectacled things who lived in basements and attics, living off thin soup and dented cans of fish, their backs hunched, their fingers thin and calloused. Yes, there was something insect-like about them. I interviewed many, and settled on a young thing, not yet deformed by her profession. Her hair was the same chestnut colour as Florence’s wooden torso. I had her measured, and a dress made of black lace that followed the same pattern as Florence’s legs. I bought rolls of white, black and gold silk, for Florence to speak to me with.

The girl blushed when she changed into the dress, one could easily see her breasts and bottom through the pattern. I sat close by, and told her to sit down with Florence, and begin.

Ah, those stitches, like lipstick marks left on a paper napkin, sweet poems. The girl worked and worked, caressing Florence in a beautiful dance. I clutched the finished sheets of clothes to my chest. I didn’t want the girl to stop, I closed the curtains. We both became hypnotized, I don’t know how much time passed, but I watched and watched, telling the girl, ‘Do not stop, do not stop!’ in quick breaths until the girl collapsed, the cloth becoming tangled, Florence’s mouth slowing until it was still.

Florence, my mistress, had killed the seamstress. My stove was more decorative than utilitarian, a green and black box with as many ornamental figures and faces as an opera house. I had my meals in restaurants and didn’t use the stove for more than heating sugar, and it took all day to burn the remnants of the seamstress, whom I chopped up into little morsels no bigger than mussels, taking off the dress I had made for her first, of course, and draping it carefully over Florence, to whom it really belonged.

I was tempted, many times, to take the seamstress’s body to my zoo. Oh, how the rats, moths and fleas would consume her in a moment.

I had spent days, nights, in the company of Florence and the seamstress, unaware of time passing. After the seamstress’s body was burned, I was famished, greatly weakened. I kissed Florence and went to a restaurant. I ate my meal quickly, I was impatient to get back to Florence, but I needed another seamstress. I couldn’t use the same newspaper.

I waited near a clothing factory in my carriage and as the girls went home, I stopped and talked to one that appealed to me, the same chestnut hair, the same size as my first seamstress, so that I could reuse the dress I had. I gave the girl a meal delivered from a restaurant before she began, so that she would last longer, but not a meal heavy enough to make her lethargic.

I read the swathes of cloth, her fine, straight stitches, a mysterious and invigorating language, a great novel of love for me. I wrapped myself in them. I only left the apartment to eat, to find more seamstresses, to buy more cloth.

In Florence’s honour, I would open a sewing machine museum, which would also provide me with a steady stream of seamstresses. I would call it the Florentina Museum, an iron and glass building resembling a magnificent web. My patronesses loved the idea, though they had never sewn themselves. It would be recognition of women’s work, and they gave me the money I needed. The museum was planned under my direction, and sewing machine manufacturers donated models and further funds.

The seamstresses came to the museum on weekends in droves, either out of a strange curiosity to see machines unlike the ones they worked with or because they were scared of being away from their machines. No one would love them, so they pushed their affection towards the very machines that destroyed them. They didn’t have sewing machines at home, they couldn’t afford them. Simple needles and threads wouldn’t do, and so they came to my museum in their free hours, their lonely hearts longing to see a treadle, a wheel. The machines had disfigured the seamstresses, they put all their beauty and youth into dresses, curtains and suits. It was easy to spot them, the pale skin, the tired eyes with purple half-circles underneath like violent-tinted spectacles, the squinting, their fingers worn thin, almost needles themselves, hidden in cheap gloves, the shaking legs that would have been muscly from pumping had they had more meat to eat.

The museum had a café, where I now went every weekend for anise and pistachio éclairs and coffee in small black and gold cups. The seamstresses sat at the arabesque iron café tables, their legs moving up and down underneath. They wore hats and shoes made out of black cardboard and carried little pouches filled with iron pills or tonic, often given to them by their factories to keep them alive, and took them with their coffee.

‘If you could do a quick sewing job for me, I have a machine, some silk pyjamas that have ripped, what fine fingers you have, I will pay you of course, and give you dinner too, a fine steak, some roast chicken.’

They lost track of time, there were no clocks in my apartment for this purpose, the curtains were shut, the air was heavy from the stove and gas lamps. I worked them for days and they became hypnotized, as did I, watching the beautiful iron limbs of Florence move.

But the point came when, watching the girls wilt with exhaustion, watching the machine consume them, feeling the cloth covered in gold, black, green and red stitches wasn’t enough any longer. I wanted to be involved in the process, to be touched by Florence.

I cut open my leg with a penknife and said to the current seamstress sitting in front of Florence, a weak thing with a thin black braid, ‘Sew it, sew it up, my dear. No, there is no need to call a physician, just sew it up for me, dear, on the machine.’

Without wiping the blood away, I stuck one of my legs underneath, pale with black hairs, like a roll of cloth that had been slept on, and commanded the seamstress to sew, the cold metal of Florence’s flesh poised above me. What relief, what joy, what pain with the first stitch!

They were love bites, to me. They weren’t as legible or as even as the stitches on cloth, but just as beautiful.

Soon, all eight of my legs were covered in stitches and scars, like a ragdoll, Florence’s kisses. The loss of blood weakened me immensely. I started to walk with two canes instead of one, and I partook of iron pills and tonics, just as the seamstresses did. I barely had any appetite for food, I was too lovesick. For my visits to the zoo, I bought a wheeled chaise which one of my servants pushed me in, but otherwise I did not leave my apartments, I refused invitations, no longer did any modelling. Only my creatures in the zoo understood, I thought, my consuming desire for Florence, my endless hunger for cloth covered in her stitches, for her stitches in my flesh. I brought a bag of wigs for the moths, sausages for the rats, and a cage full of kittens for the fleas. I watched them eat, then returned home.

The few times I had visitors over between seamstresses, so as not to raise too many suspicions as I had previously been so sociable, I covered Florence with a cloth. I didn’t want them to see something so intimate to me.

Disposing of used seamstresses was exhausting. I bought a larger stove, saying I suffered more and more from the cold. I couldn’t even ask my servants for help. I let go all but one, who drove my carriage. Visiting my doctor, I was reluctant for him to see my legs. I told him I was attacked by the dog of a woman friend. My doctor told me I had to stop seeing her at once, and to stay away from dogs. I couldn’t afford to lose more blood, I needed more than the average person with my extra appendages; my heart was overworked.

Oh indeed it was, but he did not know how much. He was disgusted by my stitches. What awful, backdoor surgeon had I visited and why? Why did I not visit him, my trusted doctor since childhood? He gave me a bottle of antiseptic liquid to put on the wounds. I vowed never to visit him again.

I had piles of telegrams, invitations, letters, newspapers, but the only thing I read was Florence’s cloth, yes, and her love-bites, I think she is beginning to love me, I feed her, she writes she writes

The last page ends with an indeterminate smudge, whether blood, ink or alcohol, it is too aged for the naked eye to determine.


MYSTERY CLASSICS: THE DEAD TALK TOO MUCH FOR MY TASTE by Jamie Ruff | GBAMLOG.COM

I was so desperate I took a job attending funerals. It’s not as goulash as it sounds. I would open and lock up the church after the funeral. In between, the minister would officiate and comfort the family, but he couldn’t be expected to arrive a couple of hours before the funeral and stay an hour or two after. I was usually there five hours. The pay was decent enough.

The saying is that dead men tell no tales, but they do; and those who attend their funerals tell even more. The departed and the attendees tell everything. His obituary will say he was a faithful husband, but why is his girlfriend sitting on the aisle across from the wife? If he was such a loving father why didn’t his oldest daughter show up, and why doesn’t someone mention her name? If he was such a good husband, why is his wife nearly dancing a jig? I think she killed him. She has the look of someone who has been relived of a burden.

Family and friends, they try to put the best face on the corpse, but I can see it – he, or she, lies right there for all to see; to examine if his illness or age wore away his strength and vitality like his weight. Gaunt faces; sunken eyes; drawn lips, even before they were sown together. Old wrinkled fingers that squeezed pennies or let opportunities slip away.

People want to talk at funerals, especially to someone who doesn’t know. That way they can share it as news to a stranger instead of the gossip it would be to a family member or friend; and if you judge, so what? You’re just some guy waiting for the punch to give out so that the family will go home, never to be seen again. One person tells you the departed’s every accomplishment, but, sooner or later, someone else tells you his faults – maybe not directly, but they will tell. The particulars about the dead are like advertisements for houses, there is far more there than is revealed and the truth is concealed between the lines. She loved children because she had none, and that was because she couldn’t conceive; he riled against abortions because the one he forced a girlfriend to have so long ago still haunted him; he gave generously to good causes but cheated his partner and stole the business; she loved life, but committed suicide; he will be buried beside a wife he was forced to have instead of the man he loved. They will share a headstone the size of a small northern state: beloved wife; beloved husband, it says.

I’m afraid for my own funeral. Not because I’ll be dead, but because all my secrets will be revealed to the stranger sitting in the back of the room waiting to wash out the punch bowl. Who does he think he is?

MYSTICAL ROMANCE: LAST LOVE by Yoto Yotov | GBAMLOG.COM

I do not see myself as a decent person. I realize that the notion of right and wrong is something relative. It all depends on the concrete situation, since something you consider good can be unpleasant or offensive for someone else under different circumstances. There is no universal good. I, in particular, think that it’s of primary importance that things should be good for me, even if it might seem a bit egocentric. Yet this principle has never failed me. Actually, one can be selfish only to a certain point. I think that this moment in one’s life comes when you meet the one and only person you want to spend the rest of your life with. This is the time when you begin to crave for a real home, and you ponder what it really means to be a man. For me, this moment had not come yet. Even by my standards, I was not a good man, but it was of little importance to me, and I didn’t have to worry myself with how to try to change this fact.

So far my life had passed in wandering in forgotten and far-off places, and unwittingly, the carefree days turned into carefree years. I had visited so many towns that I no longer remembered their names. Nameless little dwellings at the edge of desolation and survival had been my home for a day. In the larger towns to the East, I did stay long enough to get acquainted with the darker sides of human life. But who am I to judge why the darker side of life is more fascinating? Some people claimed that I had killed dozens of men. But I knew that they were not so many, and for sure they wouldn’t be missed. The devil of youth was in my eyes. I faced every challenge with a head held high and a grin. The other attribute of youth I truly possess—overflowing confidence—was no stranger to me, either.

I had nowhere to go in particular and plenty of time to get there. I was merely following the curves of the old and obviously unused road, filled with curiosity as to where it would lead me. Well, it did lead me somewhere. It reached an inn or at least to something that passed for one around here, and beyond it there was nothing—only woodland. I decided to spend the night at the inn, so I moved toward the old massive building, able to withstand the whims of time and men who visited such amazingly beautiful and totally useless parts of the world. The main hall was spacious, a little dim but clean and well kept. There were wooden benches next to the tables, and the floor was covered with straw. Obviously, this was not only an inn but also the home of the innkeeper and his wife.

As I entered the inn, I saw them sitting around a table close to the counter, having dinner. Both of them were middle aged and not so thriving but seemed happy. The innkeeper stood up to greet me, and I halted so that he could have a good look at me and size me up with his judging gaze. During my wanderings, I came to understand certain things about people, and I knew everything about the man standing in front of me. I had met hundreds like him, who were in pursuit of happiness and a place to call their own. People feeling at ease both in the towns and in the wilderness. Men and women who were not used to bend down to authority. They were good-hearted and noble, and I was always glad to have such people close to me in times of trouble—not one caused by me, of course. But they also had one annoying streak in their character—they considered themselves the salt of the earth and didn’t listen to anyone’s opinion or advice.

It was clear he didn’t like me a bit, but at the same time he was not shocked by what was standing in front of him.

“Good evening. We don’t have so much visitors lately, but as long as you have money to spend, you’re welcome.” He was precise and to the point.

I held back my smile. I’m never wrong. He offered me a bed and a meal but, at the same time, kindly reminded me that these services were not for free. He was not rude but knew what he was offering and its worth. I gave him a silver coin and sat next to them.

They were nice people, and the absence of visitors also meant the absence of news. Dinner went on for hours while I was telling them the hottest gossips. And when I didn’t know something, the little devil in my eye winked, and I came up with the most shocking and spicy stories. Now the family would have something to talk about for days ahead. What is this world coming to? Later, I found my room to be quite charming—small and dusty, with two beddings. You should be amazed at what people call a bed these days! I threw my bag on the one and lay down on the other, without even taking off my shoes. I was so tired…

The waves crushed below my feet. The wind messed my hair, in an attempt to blind me. Even up here on the rocks, I could feel the salty sprinkles that the wind deliberately lashed across my face. I don’t remember how I came here, what I was doing, or even who I was, but obviously things didn’t look good. I was just standing there, and strangely enough, I was enjoying the rough sea. I saw the life itself in the vast, delirious chaos of waters and wind. Despite the fury of this untamed beautiful nature, I felt at peace. I raised my gaze to the sky, and the clouds parted. They opened a small gap, and the moon’s rays slipped toward the earth. They reflected on the ground and glowed. High in the rugged skies, there was a dragon gliding. Black as night, it was flying above to get me. I was convinced that it had come for me and that there was no escape. How can it be possible? I don’t even believe in dragons! Its wild roar broke through the wind, and it dived toward me. I had to get away and go somewhere far, far away from here. I turned and froze. All the fear gathered inside of me melted away and vanished and gave place to unnamed terror. Just a few steps away from me there was a figure draped in black, holding a deadly weapon in its hands. Clearly I was alone, pushed to this corner of the world, with nothing to protect myself. I was close to the edge, and I knew it. The silhouette moved toward me and raised its head. It slowly pulled down the hood while I stood as if in a daze, gasping for breath. Extremities were playing inside of me tonight. A waterfall of black curves dropped underneath the hood. The greenest eyes that I had ever seem stared at me, and I found myself drowned in them. I could never imagine a more perfect face. It was both gentle yet and strong and complete. My wanderings had come to an end. She was here, and I had nothing else to ask for. She was the one I would love for life, and without her, life would be a living hell.

I woke up sweating and sat on the bed. The same old dream, night after night, was becoming more and more obsessive. At least this time I didn’t wake up screaming. The moment the dragon dives toward me and I turn around and try to run, I usually wake up—except for tonight. And that face. I hope and wonder if this dream is sent to me by someone or something. It was only a dream, yet I had fallen in love with the girl, and I had to find her. I was awake the rest of the night, staring in the dark, while her scorching eyes burned inside of me.

Next morning, I went down to breakfast, and probably something in my manner gave away my feelings, so I was left alone in peace to have my meal. I paid, and after saying good-bye, I continued on my lonely path. I had no intention of going back, so I turned toward the woods, without any specific direction, just following old trails left by animals. I didn’t care where they would lead me. I kept on walking and remembered that damned dream. They whole day passed in wandering. As night fell, I stopped at a small, sheltered meadow, the kind that people believe is visited by sylphs. I started a fire but wasn’t feeling very hungry, so I lied down and hoped to sleep and be visited by the same dream. I wanted to ask her so many things. Consciousness tried to give way to oblivion.

Perhaps I was too eager; no dreams came that night. I tried to calm myself by listening to the sounds of the forest. I had always found peace in the nocturnal serenity and the hum of nature. The sound of a branch breaking. Then another one. No wild animal makes such noise. Someone was coming toward me. I stood up cautiously and alert, the knife ready in my hand, pointed in the direction of my visitor. Clearly someone was walking across the meadow toward me. Maybe there was no malice intended, and it was just a youngster who was about to experience one of the greatest mistakes of his life. The night visitor stepped into the ring of light, and everything became clear.

The girl from my dream was standing in front of me. She was here, yet it was totally surreal. Still she was flesh and blood and full of energy overflowing underneath her clothes.

“I’m totally freaked out.” Well, I can’t be blamed for not knowing what to say to a girl.

She smiled and sat opposite me.

“How…why? I…” I couldn’t stop babbling.

“Slow down! Stop! Too many questions, too little time. Will you come with me?”

“You know that I want you.” Finally, I said something deep.

I felt as if her face grew paler, but maybe I was wrong. I knew absolutely nothing about that girl, after all.

“I know. Believe me, there isn’t anything I want more than to be together. And we will be together as long as it is possible.”

“As long as it is possible? What do you mean? There isn’t anything that can keep me away from you.”

“You’re so naïve…You don’t get it, do you? I’ll have to pay dearly even for the little time we’ll be together.”

I stood up and moved toward her. She took my hand. For the first time everything was perfect. I was at the place where I was supposed to be. I was home—here, with her. It didn’t matter what she said. The important thing was that she was next to me, and I wouldn’t let anything—or anyone—keep us apart. Not even death do us part.

We walked through the trees and enjoyed the touch of our hands and the fact that we were together. We reached a creek, its water lit by the moonlight. She pressed her body next to mine, and our lips joined in a kiss. Time stopped, and we were the only two people on earth. Her dress fell to the ground, and she ran to the creek laughing and dived into the silver water. She emerged from it, sparkling all over, and in that moment, I knew that I was the only one to witness such beauty. We were together, and we were one. This was our night, and this was our world.

Hours later we rested on dew-sparkled grass and watched the break of dawn.

“I must go, my love,” she said. “You should know that I have never loved till now, and my heart belongs to you. Maybe someday we’ll be together, free from the worldly chains.”

“But…” I began. She placed her finger on my mouth and nodded.

“Don’t. Only remember me. We’ll meet again. I promise!”

She stood up and, without looking back, ran toward the trees. Even then, I could see her cheeks covered in tears.

“I love you,” I cried. I guess I always know what to say.

She halted and turned around. For a moment I thought she’d come back, but she turned and was lost in the greenery. Next to the creek, I was at a loss, and far off, I heard the swift flap of massive wings.

* * *

 

This is the story of my love. This is the way I told it to the young girls, but they enjoyed it, nonetheless. Such romantic creatures—they don’t seem to mind taking care of endless complaining, grumpy old veterans. The old army barracks were now the home of rusty soldiers like me, who had nothing to their name and nobody to care for them. People who had spent their entire lives in the army, for some reason or other. I had my reason—I was looking for her. I tried to find my love on the battlefields, but she didn’t come for me. I knew she would find me someday. Yet I never shared my secret with anyone. Somehow I had sensed in my dream what she was and why she carried a weapon. I was never mistaken even for a brief second that the scythe is for harvesting hay.

Now at my deathbed I am sure she shall find me at last.

“Hello, my love. It’s been a lifetime since we’ve been together, hasn’t it?”

I never imagined that Death could be just a feeling. At last she’s here for me, and she is smiling back. Damn it, I do love this smile!

MYSTICAL CLASSICS: TRUTH OR DARE by Ryan Thomas | GBAMLOG.COM

“Who is up for a game of Truth or Dare?” I ask, looking between Tim and the two girls inside of the pool, the back of my shoulders leaning against the ledge.

“Me! I am!” Lauren screams. “How exciting! Let’s do it! Woo!”

She grasps the neck of a Bacardi Limon. She hoists the bottle above the pool’s surface, as she wades in the six-feet-deep water, repeatedly pushing her right arm out to stay afloat. Her eyelids flutter — after she guzzles a few shots worth of liquor — and she continues to use her left arm for sustaining the Bacardi in air . . . post-drink. Next she leers at Tonya, whom is vastly more coherent and nearly sober after drinking a can of Bud Ice. Tonya drank a shot or two of Raspberry Vodka, as well, which has barely loosened her up. Other than a quick “Hello” to the both of us, she hasn’t said anything since our arrival. We showed up here to Lauren’s (i.e. her parent’s) impressive estate about ten minutes ago.

Lauren raises the 70 cl bottle — pressing it to her lips, awkwardly — before draining the last of its contents. She screams “Woo!” again. She whips her hair, flipping it left and right, inelegantly splashing her delicate, bony shoulders.

“I’ll go,” Tim says, laughs uproariously.

“Well, first . . . why don’t the ladies decide,” I say, looking for my High Life and not instantly finding the fat, heavy bottle.

Tonya watches my eyes, so I decisively flash her with a flirtatious smile. Next I push myself up — using the flat surface of my slippery palms — and lift out of the water. I sit on the pool’s concrete rim. “Tonya, you up for a game of Truth or Dare . . . or what? This is getting boring. My fingers are beginning to wrinkle like my prune-shaped privates over here.”

“Shit yea,” Tim adds, as if similarly prunish. “Let’s play already.”

“Too immoral,” Tonya warns, looking to Lauren with visible anxiety, until further vocalizing her genuine concerns: “I don’t know, Vince. Something bad could happen.”

“We’re not two bad guys,” Tim argues, moving water with his outstretched arms, repeatedly widening them and carrying them inwardly again, doing so while kicking his legs. They flicker, at light speed, other times conversely appearing to travel extra slowly. “We’re not evil, Tonya . . . Lauren.” His suave, winsome grin grows several inches, conspicuously evincing his eagerness. “Just sinners . . . right?”

He cackles and violently splashes a spray of water toward Tonya. “Play the game!”

Tonya deflects most of the water, showing impressive reflexes shielding herself by using hands and forearms as facial protection.

“Bad guys and sinners are pretty much one and the same thing,” she says, intentionally glaring in my direction. After dodging a new splash of soaring water, she erects her head and surprisingly her fuchsia fingernails slip like magnets away from each other in a sonorous snap, and — after lifting her same hand — she points at where I sit along the ledge. “Watch your boy, Vince. He’s out of control.”

“I’ll let you know why they aren’t the same,” I say, after rediscovering my thirty-two ounce of Miller High Life. It’s located to the left side of my hip, a foot away and completely knocked over on its side. I grab the neck, open the bottle, swig a bit of beer, and brush water off my Scooby Doo designed board shorts. I’m still a die-hard fan.

“Go ahead. Explain. I’ll listen,” Lauren says, outwardly enjoying my introductory set up on the surface of her covergirl face with a tiny, pert grin.

“The difference between them . . .” I begin, trying to sound officious and knowledgeable. ” . . . Tonya, is that a sinner — by very nature, at the core — does not intend to harm a soul. Bad people, evildoers . . . now, they’re an entirely different subject.”

“And why’s that?” Tonya responds.

“Once again, bad guys commit acts of evil. Right? What’s evil, really? Evil is when you hurt — or, even — when you wantor desire to hurt yourself or someone else. Point being, the wrongdoing is malicious and fully intentional. The deliberate decision to hurt your fellow woman and man, well . . . that just might be the worst transgression there is. Period.”

Again the thick-glassed bottle of Miller is angled toward my mouth. I swallow a couple more ounces of foamy, golden-brown beer. “Of course, a sinner’s propensities are typically related to partying. Far be it from me to be hyperbolic, but sinning can be incredibly fun. We do it to loosen up, rid ourselves of unwanted inhibitions and actually enjoy life. If sin is carefully controlled, it can hardly harm anybody. Nobody dies from it. Nobody ever gets hurt too badly. Wouldn’t you agree, Tonya?”

Tonya looks toward Lauren — as her sister sets the Bacardi bottle on the edge of the pool. It falls backward with a small, unceremonious plop into the water. Lauren even kicks it by her tiny heel, swimming away.

“Yes,” Tonya agrees, just slightly grinning. “I guess that is a sensible way of looking at the difference between evildoers and sinners. Perhaps I was overreacting just a little.”

“So, now we can play a game of Truth or Dare?” Tim asks, boldly.

Tonya still holds a noticeable amount of trepidation.

“We’ll keep it controlled, then?” she whimpers, nervously.

“Who’s first,” says Tim, raising his wet hand and waving it. “I’ll go,” he says. “Do me. Hey — everyone hear that — I just said do me. That’s hilarious.”

“Fine,” says Lauren. Her eyelids lifting and falling down from drunkenness, she effortfully lunges toward Tim in slowed, moon-walking style leaps. “Truth or dare, Timmy. You’re so cute. Like a puppy dog. I just want to pet you all day . . .”

She pats the empty air, then — so the imitative gesture is better seen — slaps the blue water’s surface that’s comfortably heated at seventy-two degrees, until she arrives in similar bobbing fashion to Tim’s front side. “Say dare, Tim . . . or I’ll chop your prick off with my fingernails.”

She arranges her apple-red fingernails into a threatening cat’s claw, adding, “Choose dare. Don’t make me castrate you, Timmy.”

“Dare,” Tim says, unemotionally, eyes tethered in solemnity to Lauren’s.

“Good boy,” replies Lauren, as she excitedly claps once. She gestures with the bright fingernails now pointing at the shallow side of the pool. “Go French-kiss Tonya. I want to see tongues entwining like Lesbians during sex. Thirty seconds of noisy making out. Half a minute . . . or it won’t count guys.”

Tim looks at Tonya impassively treading water with her arms and legs. He races toward her without checking for agreement on Tonya’s face. Tonya acquiesces, choosing to hop over — rather than swimming toward him — at a slow-moving advance. They embrace like old lovers and their lips connect together exchanging tongues for the requested period of time.

“Woo!” Lauren screams, but then something catches her intoxicated attention.

She discovers another bottle of liquor near the glass table. The table is deliberately situated in front of the latitudinous vista, obviously so her prosperous family can view the flora and wildlife — consisting mostly of birds, coyotes, and occasionally wolves — whenever peering inside the vast canyon behind Lauren’s home.

She fights through water to the edge of the pool, lifts out, sprints over the wet concrete in a frightfully tentative fashion, presumably in pursuit of the liquor bottle. She amazingly reaches the table without experiencing an injurious pratfall. She secures the bottle in her shaky grip, and — after almost dropping it, but catching the bottle with her knees — carries the liquor back to the pool and jumps into the water. She rises back up with the bottle of Raspberry Vodka.

“Who’s next?” she exclaims, loudly.

“Vince,” Tonya says.

She looks over to me with an aloof, joyful expression, as Tim confidently leaps back to the deeper end of the pool. He then pushes off the wall like an Olympic swimmer — two feet at a time — and his medium-height body (five feet and nine inches) torpedoes all the way through the middle area and approaches the six-feet water again.

“Fine, I’ll go,” I say, holding my beer, enjoying the elevated view from the ledge.

“Truth or dare?” Tonya asks, eagerly.

“Truth,” I reply.

“No, you chicken-shit —” Lauren interjects, exhibiting her cat-like claw and vehemently shaking her head in angry protest. She raises the Raspberry Vodka, only now to discover there’s no more liquor inside of the bottle. For a second or two, clearly, her disappointment overcomes her facial expression, but then, after a demonstrative shrugging of her shoulders, she heaves a sigh and follows that with a perky sweeping of her head. Her hair immediately fans out and shoots pellets of water away like an aqueous sort of machine gun.

“Don’t be a loser, Vince,” she says, throwing the bottle on the grass.

She turns at the edge of the pool and forms the kitty claws once more. “Don’t think I won’t chop your Johnson off, too. Vince chooses dare. He is doing a dare.”

“Fine. Dare, then. If it will make Lauren happy, I’ll —”

“— Terrific!” Lauren practically shouts.

Tonya looks at us, inspecting Lauren and myself while choosing the dare.

I swig the very last of the Miller High Life, discard the bottle by getting out and responsibly depositing it inside the only waste receptacle. Afterward, my strongest desire is to immediately slip back into the warm pool.

“I dare you to suck Lauren’s nipple,” Tonya says, surprisingly. “Go,” she says, clapping, finally showing a similar level of enthusiasm as her sister. “Suck Lauren’s nipple, Vince.”

“What?” I say, laughing. Afterward, I curiously look toward Lauren.

Lauren doesn’t appear disagreeable to the idea. So I change my mind. “Fine. I’m up for it.”

I walk toward Lauren’s thin frame in the water. She fixes her hair, so the wet strands cling to the back of her shoulders, preliminarily kept away from her face. I wait, as she lowers her top, giggling and then looking in different directions with a closed-lipped, immodest smile, noticeably excited the game has elevated in this manner. Once her full breast is exposed, she motions for me to approach with a welcoming arm gesture. I get closer, lower down to her chest, and — as dared — wrap my lips around the protruding bump. Her nipple looks like a pink bull’s-eye. It’s the size of a pushpin and closely resembles the game piece from “Sorry” that advances across the collapsible playing board. The supple breast tastes like chlorinated water, as I lap my tongue around the nipple, ever so lightly holding the tit as I do.

“Enough,” I say, raising my head . . . sort of like an overstuffed baby . . . from the exposed breast. “Who’s going to go next? Tonya . . . truth or dare? We all doing dares? Yes, no — what?”

“Dare!” Lauren shouts for her sister.

She rearranges her lime-green top over her breasts, covering up slowly and afterward straightening the upper portion of her two-piece. Desire to sustain the level of excitement is equally felt by everyone, especially Tonya, enduring the high pitch of Lauren’s continual screaming within elbow’s length of her: “Dare! Dare!”

“Nothing raunchy. Shhh! I hear you —” Tonya reaches her open hand toward Lauren’s mouth, as if to tamp her lips, but never actually touches her. “Shhh! I hear you. Dare.”

“Nothing too gross, Vince.” As she spoke, her quarter-inch — similar in extension to Lauren’s — fingernails threaten to slice me to ribbons. She’s like Uma Thurman from “Kill Bill,” swinging her claws and making guttural noises like a tiger.

The twins clearly think alike. They most likely yield a similar taste, as well. Either way, more unknown information of their exquisite taste and feel will — undoubtedly — be stored securely in my head by game’s end. I’m sure to remember this night for a great while.

“I got a dare,” I say, smiling nefariously. “I dare you two . . . Tonya and Lauren . . . to both drop your tops and French-kiss each other.” I extend my smile, wryly adding: “And the makeout session must continue for at least half a minute. Otherwise, it doesn’t count.”

“We’re sisters —” Tonya argues, laughs toward starry, dark sky. “Would that turn you on, Vince? You Perv.”

“Yes. Yes it would,” I say, unabashedly. “I’d be very turned on by that.”

Lauren is already frontally nude — by this point— and her light-green top drifts away from her at the surface of leftward-moving, choppy water.

“Don’t be a chicken-shit, Sis,” Lauren hops toward Tonya.

Tonya winces, reaching behind her back. Her black floral-patterned top falls toward water, carried leftward toward a skimmer drain.

Soon their soft bodies melt into each other. Everything appears to interlock: tongues, B-sized breasts, shoulder-length hair, grasping each other’s arms with small identical hands, as they French uninhibitedly, unapologetically, unfettered by taboos or common reservations of any kind. As they disconnect bodies, they momentarily peer into each other’s eyes. They give confident stares, signaling what they’d just finished doing wasn’t a very big deal to them. They have done the same thing many times before! They finally look our way, Lauren bowing, then Tonya, both of them smiling and appearing euphoric.

“Excellent,” Tim says, clapping.

“Yes —” I add, clapping a few times. “Excellent. You two are hot as fire. The conflagration is quickly spreading to my heart. It’s en fuego, really. Lauren, Tonya, thank you. I can say, now, I have greatly matured from sharing this experience. Bravo. Who’s going to go, now?”

“I’ll go again,” Tim offers, still overjoyed at what he just saw.

He swims closer toward the three of us. He waves at the topless twins and noticeably elevates his eyebrows just a little, grinning, as he turns my way and shares a strong look of approval. He lifts them up further, still, as he glances between the naked girls again.

“Who wants to do me?”

He softly chortles to himself shaking his head, which was a pretty corny couple of things to do after his repetitious joke, even making his nervousness more conspicuous by batting a hand . . . somewhat effeminately, in truth . . . toward them. Due to a heightened sense of self-awareness, he grows very solemn again. “Nevermind. Who wants to ask me to do what— Tonya, Lauren?”

“I got an idea,” Lauren says, snappily. “Whip out your dick and jump in the pool.”

“What?” Tim says, feigning confusion.

“She said,” Tonya says, laughing. “Whip out your dick and jump in the pool.”

“Fuck it,” Tim says, apparently letting go of any misgivings.

His surf style board shorts — showing crabs and seaweed as a design — make a brisk ripping sound from the Velcro strap. From his small-bellied waist, the shorts slowly and consistently descend further into the somewhat transparent, slow-moving water. His bare ass is a toast-brown sort of color, flashing above the pool for a disgusting length of time, as he relies on his moderately strong forearms and triceps, while pushing up onto the ledge. He proceeds — naked as a child at birth — and as, though denying such would do him no favors, he suffers from a similar condition as neonatal boys having an exposed, shrunken penis.

He fiddles with his miniature shaft, until it is enlarged enough to be firmly gripped and swung about like a rope. Then, squeezing the dangling junk with his right hand, he proceeds to flail his penis in a cowboy-with-a-lasso kind of way — the tip wavering like a fish head — jumping back into the warm, splashy water.

“Woo!” Lauren screams.

Even Tonya, clapping herself, screams “Woo!”, but then she heads toward the other end of the pool. The departure is probably due to wanting to fix her looks. In truth, she’s a perfect ten without a single flaw. Always will be.

Tim resurfaces and immediately thrusts his head backward. The strident thwack of his six-inch long hair is a bold declaration of his triumph over inhibition and self-consciousness, the water sort of being like fireworks popping around his relatively handsome, bluish face. He’s a conqueror of all mankind’s greatest fear: a cold, wet penis.

“Vince,” he says, like he’d been baptized. “I got a dare for you, man.”

“What’s that,” I say, with a cool smile. “What is it?”

“I dare you to go down on Lauren.”

“What?” I say. “That’s crazy.”

“C’mon,” Tim says, confidently smiling. He elevates his open hand while it faces toward Lauren. “Sushi style. Do it. You’ve got to do that . . . for Lauren, Tonya, you, and myself . . . and do it for epic games of Truth or Dare occurring everywhere.”

I’ve been hoping from years of escalating flirtation with Tonya to hookup with her, but Lauren isn’t a poor choice as a girlfriend either. She’s quite a knockout in appearance and personality herself, at least when judging from what I’ve learned tonight. Occasionally, Lauren would appear at Pay Less, when Tonya and I were both working together, yet she was always so taciturn and inaccessible, perhaps, wrongfully, I had her pegged as the unapproachable type. I figured she was mostly concerned with reading lengthy books and praying at church. I assumed she would only accept an earnest marriage proposal after “hanging out” with a guy for years, rather than agree to “date” a person.

Tonya has wandered over to the farther away end of the pool. She searches for something; meanwhile her bare thigh gently taps against the fourth step leading to ground. She finally finds her handbag, toward the left and resting only inches from the pool’s edge. She fumbles with something inside of the purse, most likely a bottle of perfume or some kind of compact.

“I’m naked below,” Lauren says, as if to steal attention.

“I heard that —” I say, immersing myself in a moment of impetuousness. “Let’s do this.”

“Awesome!” Tim shouts in a deep cry. He cups his mouth. Booms: “I can’t believe this is happening!” so the words echo across the canyon. The canyon shouts his words back.

I close my eyes before submerging in the warm pool. Realizing I’d have to do so sooner or later, I open them up again and swim froggy-style toward the pale pillars sweeping and kicking a few yards away. They drop and lift, recurrently, but they never fall below a foot above the elusive sight of the pool’s floor.

I arrive at Lauren’s — no more than — 130-pound treading body. I lightly hold her legs, encircling both of my thumbs and index fingers around the smooth, doughy flesh above her knees. Afterward, I reel out my tongue and connect lips to her exposed vaginal area. A lump, the clitoris, juts from the top of the dark purplish-red hole, a fact I’d known prior to the old South Park joke. I lick the salty portion of skin around the clitoris, under a thick bush of frazzled hair. It isn’t till — and only after — an ocular and indisputable check, that I realize my tongue is abrading six or seven or eight, even, tiny, button-like protuberances, collectively lining the purple walls of her vagina, as well

HORROR REALITY STORY: AREN’T YOU GLAD YOU DIDN’T TURN ON THE LIGHT? By W. Horton | GBAMLOG.COM

Two dormmates in college were in the same science class. The teacher had just reminded them about the midterm the next day when one dorm mate—let’s call her Juli—got asked to this big bash by the hottest guy in school. The other dorm mate, Meg, had pretty much no interest in going and, being a diligent student, she took notes on what the midterm was about. After the entire period of flirting with her date, Juli was totally unprepared for her test, while Meg was completely prepared for a major study date with her books.

At the end of the day, Juli spent hours getting ready for the party while Meg started studying. Juli tried to get Meg to go, but she was insistent that she would study and pass the test. The girls were rather close and Juli didn’t like leaving Meg alone to be bored while she was out having a blast. Juli finally gave up, using the excuse that she would cram in homeroom the next day.

Juli went to the party and had the time of her life with her date. She headed back to the dorm around 2 a.m. and decided not to wake Meg. She went to bed nervous about the midterm and decided she would wake up early to ask Meg for help.

She woke up and went to wake Meg. Meg was lying on her stomach, apparently sound asleep. Juli rolled Meg over to reveal Meg’s terrified face. Juli, concerned, turned on the desk lamp. Meg’s study stuff was still open and had blood all over it. Meg had been slaughtered. Juli, in horror, fell to the floor and looked up to see, written on the wall in Meg’s blood: “Aren’t you glad you didn’t turn on the light?”